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I have measured out my life with coffee spoons.
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Our age is an age of moderate virtue And moderate vice
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Light Light The visible reminder of Invisible Light.
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Unreal city, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many.
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Hell is oneself, hell is alone, the other figures in it merely projections. There is nothing to escape from and nothing to escape to. One is always alone.
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In this decayed hole among the mountainsIn the faint moonlight, the grass is singingOver the tumbled graves, about the chapelThere is the empty chapel, only the wind's home.
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Not less of love, but expanding Of love beyond desire, and so liberation From the Future as well as the past.
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Ambition fortifies the will of man to become ruler over other men: it operates with deception, cajolery, and violence, it is the action of impurity upon impurity.
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I will show you fear in a handful of dust.
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This is the feeling for syllable and rhythm, penetrating far below the conscious levels of thought and feeling, invigorating every word.
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Those who say they give the public what it wants begin by underestimating public taste and end by debauching it.
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Because I know that time is always time And place is always and only place And what is actual is actual only for one time And only for one place I rejoice that things are as they are and I renounce the blessèd face
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The nightingales are singing near The Convent of the Sacred Heart, And sang within the bloody wood When Agamemnon cried aloud, And let their liquid siftings fall To stain the stiff dishonored shroud.
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Let me show you the work of the humble. Listen.
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[On The Waste Land:] Various critics have done me the honor to interpret the poem in terms of criticism of the contemporary world, have considered it, indeed, as an important bit of social criticism. To me it was only the relief of a personal and wholly insignificant grouse against life; it is just a piece of rhythmical grumbling.
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No generation is interested in art in quite the same way as any other; each generation, like each individual, brings to the contemplation of art its own categories of appreciation, makes its own demands upon art, and has its own uses for art.
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Culture is the one thing that we cannot deliberately aim at. It is the product of a variety of more or less harmonious activities, each pursued for its own sake.
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A good deal of confusion could be avoided, if we refrained from setting before the group, what can be the aim only of the individual; and before society as a whole, what can be the aim only of the group.
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So far as we are human, what we do must be either evil or good: so far as we do evil or good, we are human: and it is better, in a paradoxical way, to do evil than to do nothing: at least we exist.
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Between the conceptionAnd the creationBetween the emotionAnd the responseFalls the Shadow
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It has frequently been said that we never desire what we think absolutely inapprehensible: it is however true that some of our sharpest agonies are those in which the object of desire is regarded as both possible and imaginary.
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Because I do not hope to knowThe infirm glory of the positive hourBecause I do not thinkBecause I know I shall not knowThe one veritable transitory powerBecause I cannot drinkThere, where trees flower, and springs flow, for there is nothing again
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The more perfect the artist, the more completely separate in him will be the man who suffers and the mind which creates.
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When war is not just it is subsequently justified; so it becomes many things. In reality, an unjust war is merely piracy. It consists of piracy, ego and, more than anything, money. War is our century's prostitution.