Barry Ritholtz Quotes
Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
Barry Ritholtz
Quotes to Explore
-
It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
Walter Hill
-
I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
Victoria Aveyard
-
All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
Manuel Puig
-
A story never looks as good as when the other fellow buys it.
Irving Thalberg
-
90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
Cab Calloway
-
Every story I create, creates me. I write to create myself.
Octavia E. Butler
-
Sometimes the kids come up with better endings than the real story.
Gail Carson Levine
-
A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
Fede Alvarez
-
You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
Zoe Kazan
-
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
Dan Scanlon
-
I took English courses in college, but I don't have an English degree. I have a degree in economics.
Patrick Carman
-
People tend to think that numbers are quite objective, but numbers in economics are not like this. Some economists say they're like sausages: you don't know what they really are until you cut into them.
Ha-Joon Chang
-
I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
Finn Jones
-
I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
Sally Kellerman
-
The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
Nancy Kress
-
It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
Aaliyah
-
I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
Laura Fraser
-
As an actor, I'm my own worst critic, but after awhile, really, when you watch 'Moonrise Kingdom', it's such a fantastic film that you sort of get sucked into the story, and then you kind of forget about everything else.
Kara Hayward
-
There's no story that breaks, including a five-alarm fire in Brooklyn, that I don't wish I were covering.
Walter Cronkite
-
Time always seems long to the child who is waiting - for Christmas, for next summer, for becoming a grownup: long also when he surrenders his whole soul to each moment of a happy day.
Dag Hammarskjold
-
Strong feelings do not necessarily make a strong character. The strength of a man is to be measured by the power of the feelings he subdues not by the power of those which subdue him.
William Carleton
-
Modern man, brought up on Kantian idealism, regards nature as being no more than an outcome of the laws of the mind. Losing all their independence as divine works, things gravitate henceforth round human thought, whence their laws are derived. What wonder, after that, is if criticism had resulted in the virtual disappearance of all metaphysics? As soon as the universe is reduced to the laws of mind, man, now become creator, has no longer any means of rising above himself. Legislator of a world to which his own mind has given birth, he is henceforth the prisoner of his own work, and he will never escape from it anymore. If my thought is the condition of being, never by thought shall I be able to transcend the limits of my being and my capacity for the infinite will never be satisfied.
Etienne Gilson
-
The first reactions from Germany and German industry was quite negative. People right from the start were saying that we will steal technology and take it away and move the plant to India and use low cheap labor to compete.
Baba Kalyani
-
Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
Barry Ritholtz