Barry Ritholtz Quotes
Quotes to Explore
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Today, I guess I give a lot more thought to the roles before I sign them.
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Lord of the Rings made me realize that I'm not interested in doing anyone else's work.
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In order for a man to feel whole, he needs someone to look up to and someone to look up to him.
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I remember going up and doing 'Bridge Over Troubled Water' with Paul Simon, Santana playing up there with us.
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I wanted to write a happy song. I didn't know how.
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I'm not interested in just beautiful girls and beautiful clothes.
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Muzzle a dog and he will bark out of the other end.
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You're human; you make mistakes. You have to put all the things in the past.
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An actor is working steady if he's active four to six months a year.
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We never left a set until we'd trashed it.
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I prefer to believe it's my responsibility if a film of mine works or doesn't work.
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I think we all carry the seeds of our own destruction. You really have to be aware that just because something is good, it doesn't mean it's not going to trigger a self-destructive impulse.
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There is no other prize in any country that carries the prestige that a Nobel bestows.
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Memory... is the diary that we all carry about with us.
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Almost everyone thinks they are a good person, but the question you should be asking is, am I good enough to go to Heaven? How would you know?
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The entire intelligence community is so bloated and so reliant on contractors. There's no question there's many tasks that make sense to outsource, and yet, we have followed blindly this dogma that if it's private contracting, it must be better.
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All that political stuff Delano was doing. Me, I've gone off the top, into total fantasy.
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Even the largest avalanche is triggered by small things.
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An outsider's point of view is always handy.
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I didn't have any Indigenous friends until I was in my 30s, and I'll always remember and be inspired by the remarkable friendship I had with Connie Bush, an outstanding Indigenous leader from Groot Eylandt on who was on the National Women's Advisory Council with me.
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It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
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There's something stubborn about families, unhappy ones in particular: they outlive themselves, and then they live on.
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Salesmen always need something to sell.
