Paloma Faith Quotes
Quotes to Explore
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I don't have a type. I don't have a specific kind of human being. It's just kind of an X-factor of sorts. Everybody I've ever dated has been a case-by-case situation.
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In China, because Chinese is a tonal language, it can be kind of hard to follow people's emotional tracks. There was one moment where a woman I was interviewing just sort of burst into tears, and I can usually sort of tell when things are coming on, and in that moment, it was very unexpected.
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I think that a woman wears so many hats, we have so many aspects to us that we're not just one thing. We represent so much within us and that kind of comes across for me as a designer through mixing prints and colors.
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I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.
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I'm just a musician and a record producer.
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Conrad Ludlow was an extraordinary partner... We just called him the greatest partner because he just knew what a woman's balance was.
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A woman's body is her body and what she wears or does not wear is her choice. Get over it and move on.
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I'm just a person who forgives and forgets. I have a hard time holding grudges.
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I just roll with the punches.
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I'd hopefully work through all my issues with men first so then I'd be okay being with a woman.
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Peter Sellers was just a brilliant actor, and also comedic.
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Being Latina for me is also being a strong woman.
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When you write as a woman, there's this feeling there's going to be a softness.
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I'm just a kid from Bronx who got lucky.
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Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
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In Paris, I met a young American person who immediately became the primary inspiration which awakened my vision and the leading influence that had directed my forces. Throughout my career as an artist, I refer to this person by the word 'Woman.'
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It's all about connectivity - not just technical connectivity but geographic connectivity. That's what makes a city go.
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I'm not making films just to be bold.
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I took classes taught by an elderly woman who wrote children's stories. She was polite about the science fiction and fantasy that I kept handing in, but she finally asked in exasperation, 'Can't you write anything normal?'
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I had been wanting to do a musical for a really long time. I wanted people in New York to know that I can sing.
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I have great empathy for all the contestants that come on 'Top Chef,' whether they go home right away or they make it to the finish line. It's a very vulnerable position they put themselves in and I feel for them.
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New York may be the city that never sleeps, but Shanghai doesn't even sit down, and not just because there is no room.
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My aunts told wonderful stories. Not to me, but to each other. We had a very strong family. My mother's sisters loved each other intensely. The uncles loved each other intensely.
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I'm not a downtrodden woman. I just won't be.
