Paloma Faith Quotes
Quotes to Explore
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The billable hours is a classic case of restricted autonomy. I mean, you're working on - I mean, sometimes on these six-minute increments. So you're not focused on doing a good job. You're focused on hitting your numbers. It's one reason why lawyers typically are so unhappy. And I want a world of happy lawyers.
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When the depths are upheld by the Holy Spirit, then the reaction is Christian.
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There are no benefactors in Canada because there is no incentive.
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My father's a Southern Baptist minister. I wasn't lighting cars on fire; I just wasn't.
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My function is, as objectively and accurately as I can, to present reality to people out there, and doing that as quickly as we do is quite difficult enough, thank you.
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I try to do the right thing at the right time. They may just be little things, but usually they make the difference between winning and losing.
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I don't get bothered by fans.
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A lot of things and a lot of money is involved in a movie. It is very upsetting when a movie doesn't fare well at the box-office.
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There's only two givens with choosing acting as a profession: one is you will always be unemployed, always, and it doesn't matter how much money you make, you're still always going to be unemployed; and that you have no power.
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I have moved to a smaller house in Paris, and I don't fancy having so much staff now.
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The final phone call that said we're going to be picked up again was just a miracle. We've overcome the impossible and we're still pushing forward. I know John is smiling and so happy that he gets to watch us on TV.
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In disposition the Negro is joyous, flexible, and indolent; while the many nations which compose this race present a singular diversity of intellectual character, of which the far extreme is the lowest grade of humanity.
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We can ask ourselves why we invent God, and then, ten minutes later, we invent Satan - why? Because we need him; there's something fascinating about the other side of the coin.
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No one really knows who I am or where I came from in America, and there's something quite nice about that.
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It's kind of comfortable portraying characters who are kind of unsavoury and not so nice. That can be refreshing sometimes.
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I once went on the most grueling radio tour. Living in hotel rooms, sleeping in the backs of rental cars as my mom drove to three different cities in one day.
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As long as I love Beauty I am young.
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My son, Tony Vincent, is a stuntman. He doubles for Jim Caviezel on 'Person of Interest.' He works really hard.
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We are never happy; we can only remember that we were so once.
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I told him before the play that if both men went to me, to go to the basket and get a good shot. Things didn't go the way we wanted tonight.
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When we get on stage, naturally, you just get out there and work it as hard as you humanly possibly can do it.
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It's kind of like when you have guests coming over to your house, and you haven't really picked up in awhile, and you look around and say, 'Wow, my place is kind of a mess, but I never noticed it because it's what I've been living in every day.' That's kind of what Supergirl is to the Red Lanterns.
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Compared to a lot of artists, I'm usually quite covered up in videos and photo shoots.
