Taylor Sheridan Quotes
Quotes to Explore
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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My mind is vacant on names, but I know him as well as anything. When I need names they drop out of my head; when I don't need them they drop back.
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These activists who support immigrants inadvertently become part of this international human-smuggling network.
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Well into the 20th century, black people spoke of their flight from Mississippi in much the same manner as their runagate ancestors had.
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I don't look at myself as suffering.
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But the fact a person denies that he is theorising is no reason for taking him at his word and failing to investigate what implicit theory is involved in his statements.
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We are like petri dishes, where we can innovate, but we want to do it carefully and thoughtfully.
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I think, as far as branching out with acting, it would take something really right on the mark to distract me from music, because music is everything to me.
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If my client calls me and says, 'I'm going to a friend's premiere,' I'll say, 'Come over and let's do something cute.' And I won't bill them for that.
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Love cures people - both the ones who give it and the ones who receive it.
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The homosexual community has more acceptance in America than it ever has, and the suicide rate is as high as it's always been.
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Art class was my thing, but not any other class.
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Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.
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My dad was vehemently opposed to electric guitars. He did not look on that kind of music as legitimate in any way.
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We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
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In this culture, where entertainers and athletes wield such power, it seems only right to me that they try to make their influence a good one.
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Anywhere in life, for girls there's pressure to keep your weight and to keep yourself feeling and looking good.
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What I love about Tadashi is that he isn't a designer that designs only for a double-zero. He designs for double-Ds, you know? Women of all shapes and sizes can wear him.
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I would love it if we made more comparisons between current issues and issues of the past. Maybe we'd realize that sometimes 'current issues' and 'past issues' are one and the same. Our world's people still fight over natural resources, kill in the name of religion, occupy regions and give them up - just as we did 'so long ago.'
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I've always thought my soundtracks do pretty good, because they're basically professional equivalents of a mix tape I'd make for you at home.
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I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.
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Even if the songs are at times painful - 'cause some of the songs are not all roses and balloons; some of them dig into deep things that I've been going through - there's a joy that I think people feel from my music and, hopefully, from my performance because I am so in love with doing what I do.
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Approaching people for work has not worked for me. People who came to me with work has worked.
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Sugarcoating doesn't do anybody any good.
