Patrice Leconte Quotes
Quotes to Explore
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I was the kid who never won the races. I never jumped the highest. I wasn't on the list of the high-achieving.
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I feel like we can learn from each other by us, being the young generation, giving knowledge to the older guys.
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Twitter is an amazing thing; it brings footballers closer to the fans because so many of them are on there. I was cynical about it to begin with, but I have been converted.
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You can't bank on the outcome.
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The most violent and troubling stories become part of our national consciousness about foster care.
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Understand that the right to choose your own path is a sacred privilege. Use it. Dwell in possibility.
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Delaying and withholding tactics, red herrings, partial and doubtful outcomes are stock in trade for fiction writers, especially crime writers.
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I can't be bought. I don't need to be bought. I'm not a careerist. I don't need to have a career in politics. I'm in a very, very luxurious position, but I am in a position of strength.
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People are intrigued when they discover you date a footballer - women especially.
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I have nothing to hide.
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Dyeing my hair has become a kind of addiction. I can't see myself as anything other than blond. Once you go blond, you stay blond forever.
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India should be an exporter of technology.
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It's my deepest interest as an actor: I love discovering how human beings work, how their flaws reveal themselves - how to learn and grow from that - and how characters teach me things as a woman and as a parent.
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I'd call my music rock but with pop hooks.
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Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.
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Her name was called Lady Helena Herring and her age was 25 and she mated well with the earl.
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Gay activists claim that because I don't subscribe to their political agenda, I am a homophobe, meaning I have a mental disorder - because that is what phobias are.
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I owe a great deal to Harold Hobson, doyen drama critic of the 'U.K. Sunday Times,' who championed me as Shakespeare's Richard II at the 1969 Edinburgh Festival.
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Few can contemplate without a sense of exhilaration the splendid achievements of practical energy and technical skill, which, from the latter part of the seventeenth century, were transforming the face of material civilization, and of which England was the daring, if not too scrupulous, pioneer.
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It's embarrassing to be involved in the same business as the mainstream comic thing. It's still very embarrassing to tell other adults that I draw comic books - their instant, preconceived notions of what that means.
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So many artists try to be something that they're not.
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I am not a fan of westerns particularly.
