Patricia Meyer Spacks Quotes
Like the adolescent, the artist is a dreamer and a revolutionary; like the adolescent, he often finds his accomplishment inadequate to his imaginings. But his dream, setting him apart, helps him to escape the burden of the real.
Quotes to Explore
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In the mid-1990s, when Russia was undergoing a construction boom, I entered the real estate development market.
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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College is part of the American dream. It shouldn't be part of a financial nightmare for families.
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I think with girlfriends, you always want your girlfriends to make the decisions for themselves, not based on a boy, not based on anything other than, 'Is this what you want?' Is this you know what you want to do?' And that's real support to me.
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I would like to play an average guy. I would have loved to play opposite John Candy in a movie. That was my dream for a long time, and sadly, now I can never realize that. But I'd like to do comedy.
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America is the student who defies the odds to become the first in a family to go to college - the citizen who defies the cynics and goes out there and votes - the young person who comes out of the shadows to demand the right to dream. That's what America is about.
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Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.
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'Pyrapshere' began as a sketch for a variety show I produced called 'A Pretty Good Show.' My partner, Andersen Gabrych, and I expanded it into a full-fledged faux-religion, including a list of 21 tenets, sacred symbols, testimonials, and even a clothing line. Many people believed it was a real thing and wanted to join.
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I have nothing revolutionary or even novel to offer.
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My whole thing is to entertain, make people laugh and to forget about the real world for awhile.
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If you have real passion for a career in game shows, be willing to serve an apprenticeship; it's the best way to learn.
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The best monsters are our anxieties given form. They make sense on the level of a dream - or a nightmare.
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I have to take it as a given that I have got a certain ability to do something. I can be an artist, which is take something and transform it into another thing. I can just see something, and I can see my painting.
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I always say that people should not rush to change religions. There is real value in finding the spiritual resources you need in your home religion.
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Relationships are hard. If as an actor you marry an engineer or a doctor, it's really hard for them because they don't understand what your life is like. We live two lives. We have a 'reel' life and a real life.
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I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
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It's difficult to make your clients understand that there are certain days that the market will go up or down 2%, and it's basically driven by algorithms talking to algorithms. There's no real rhyme or reason for that. So it's difficult. We just try to preach long-term investing and staying the course.
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In a real dark night of the soul, it is always three o'clock in the morning, day after day.
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Everybody dreams, but memory for dreams is famously elusive. Even Sigmund Freud, without the benefit of modern technology's electroencephalogram, or EEG, did not know that adult humans dream 90 minutes per night, and that newborns spend eight hours per day dreaming (out of their 16 hours of sleep). REM sleep helps grow the brain!
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When you do a lot of acting your entire life, you see the entire set from one point of view. To have a chance to step back and pull it all together is really exciting. You want to do it all; you want to have a hand in everything.
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This is my life; these are my fingerprints; I'm unique; this is what I want to do. You worry about your own front porch and what's happening in your own world.
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Hope is but a charlatan that ceases not to deceive us. For myself happiness only began when I had lost it.
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I don't teach. I don't think I could. I also don't really do anything else artistically, locally.
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Like the adolescent, the artist is a dreamer and a revolutionary; like the adolescent, he often finds his accomplishment inadequate to his imaginings. But his dream, setting him apart, helps him to escape the burden of the real.
