Napoleon Hill Quotes
There is always plenty of capital for those who can create practical plans for using it.
Quotes to Explore
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It is always great to see technology leaders like Ginni Rometty, Marissa Mayer, and Meg Whitman breaking through as a new generation of leaders.
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I always watch the work I do.
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I always feel like rejection is my petrol. That's what keeps me going.
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I've always been a bit of a poser. I was chucked out of ballet lessons for looking in the mirror.
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But when ill indeed, Even dismissing the doctor don't always succeed.
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Always forgive your enemies - nothing annoys them so much.
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The reality is that I always envisioned the 'Riddick' franchise as a continuing mythology, so I always imagined that there would be many other films to follow.
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Since Madonna is positioned as always 'cooler than thou,' we all are primed for schadenfreude if something in her fabulous life goes amiss.
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Art is always criticized and always an outsider gets the blame.
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For some reason, when I get to the 200m, I'm always a little bit nervous.
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I've always been a huge reggae fan.
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I've always been interested in violence, even as a teenager. I loved 'Helter Skelter' and books like that.
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As a former English major, I have always been fascinated by the connections between literature and history.
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We always go into a game to win.
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I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.
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A screenplay is really a blueprint for something that will be filmed. Therefore you must always keep in mind that whatever you write is going to be staged, for real.
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It was always fun to skate with Paul Wylie and Paul Martini.
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You don't need money to be free. You can just say if you don't need stuff, you're always free.
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That's the one criteria I have - I can't do an impression of someone I don't like.
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Detestation of the high is the involuntary homage of the low.
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The thing about Wagner is we're always wrong about him, because he always embraces opposites. There are things in his operas which viewed one way are naturalistic, and viewed another way are symbolic, but the problem is you can't represent both views on stage at once.
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Most of the authors I liked were dead, so it didn't seem like a safe occupation.
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It's just that, when I'm in Japan I could foretell to a certain degree what would be accepted, so I certainly don't come up with any crazy arrangements.
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There is always plenty of capital for those who can create practical plans for using it.
