T. J. Miller Quotes
I've stated that it's possible the only reason I'm in show business is that I have such a strange, particular head of hair. That, and I can grow a red beard.
Quotes to Explore
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As a reward of their clean living and good habits these great stars have been able to withstand the rigorous test of stamina and physical exertion and have thus successfully extended their most remarkable careers over a period of many strenuous years.
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My worst expectations never happened.
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I've no regrets at all, but I still think at times that I would have loved to play in England. You live football over there; it's a great culture. People respect you more; it's more difficult to find respect in Spain. There is more criticism here.
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It is not only our duty but our moral obligation to break from the oppression of debt. We must rise above the political considerations and do what is right for the future of our nation.
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Ideas emerge when a part of the real or imagined world is studied for its own sake.
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If I give five flops, I won't get a job. You have to perform at the box office when you are at the top. No one is running a charity here. People are putting huge amounts of money to make movies, and they want the films to be successful. They have invested money in you, so it is your duty to make sure the film does well.
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I am not a name-dropper. I can't help it if everybody I know is famous.
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I am young, and I think all young guys would love to play a superhero - any superhero - it doesn't matter. I could be a superhero that would just turn into a big blob or something like that, but I could tell all the ladies, 'Hey, I am superhero!'
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For me, I never, never, from the moment I started acting, had a desire to be famous.
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We are all here on earth to help others; what on earth the others are here for I don't know.
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I'm sure my father had more to do with my career than I would like to give him credit for. I would love to think it was all me!
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I can tell you Kristen Hager is one of my all time favorite people to work with ever and one of the greatest scene partners, and I'm such a lucky guy.
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Starting out, they told me: 'You're a good-looking guy. We'll put you in this role, and you can be a conduit for the audience into this side of the story.' But I've grown up, and that's not what I want anymore. My concept of the job I do has evolved. And it is a job, nothing more.
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It's the face and the body and the thing that we hide inside that can keep us from the world, but my voice is my voice.
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You know the greatest thing about working on 'Fallon?' I get so many anonymous gifts.
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America is the only country that went from barbarism to decadence without civilization in between.
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Thrift shopping is all about going into the thrift shop and having no expectation of what you might find.
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'The Phantom of the Opera' is the biggest thing I've ever done, bigger even than 'Cats' which, in itself, I never thought we'd top.
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Usually the script is much more funny than the film turns out to be, in my case. The script is almost like a comic book but when you start making it, for some reason the film gets very serious.
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The thing was always, as every story you write has a built-in problem, was: Was it too personal. That was the thing I wondered about for a long time. Oddly enough, it's often the personal stuff that people come up to you later and say about it, 'I can't believe you put that in a movie. That happened to me.' And sometimes, the thing that you make up happened to no one.
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Engage in one kind of business only, and stick to it faithfully until you succeed, or until you conclude to abandon it. A constant hammering on one nail will generally drive it home at last, so that it can be clinched.
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I've stated that it's possible the only reason I'm in show business is that I have such a strange, particular head of hair. That, and I can grow a red beard.
