Patrick Stump Quotes
Most producers get into it because they were just never handsome or charismatic or talented enough to be the star.
Quotes to Explore
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When I pull into a city and I rent a car and it's Nashville, or it's London, or I'm driving in the taxi to the hotel, and on comes one of my songs, it's like, 'Oh my God, they're still playing these songs on the radio.' And you still feel tearful and very grateful that somebody still likes these songs that you made up.
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I have been on dialysis in Istanbul, Milan, Indonesia, Manila, London. It's - it's amazing.
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I felt giving birth was the most creative act of all my creative acts - literally creation!
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I've found that entrepreneurial success usually comes through great execution, simply by doing a superior job of doing the blocking and tackling.
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You eventually get used to looking at girls picking their leotards out of their bums and that sort of stuff.
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There was one man in the Labour government, Robin Cook, whom I had a very high regard for. He had the courage to speak out and to resign over Iraq. He was an admirable man. But resignation over a matter of principle is not a very fashionable thing in our society.
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Politics is largely a matter of heart.
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It is not the form that dictates the color, but the color that brings out the form.
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Fat noses have no place in the Hindi film industry. But it is not so in the West - otherwise, Anthony Quinn would have never been an actor.
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Reputation is rarely proportioned to virtue.
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I am one of maybe three people in the world who knows anything about Robert W. Chambers.
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American policies toward Asians reached a nadir in 1924, with the implementation of a law that sought 'to preserve the idea of American homogeneity' and denied admission to the country to most non-whites. Immigration from Asia was banned completely, with the establishment of an 'Asiatic Barred Zone.'
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If I'm not happy with what's going on, I try to change it myself.
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What you do today can improve all your tomorrows.
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It is easy but inaccurate to label any legislation which makes it easier for working families to combine family and work responsibilities 'job killers.'
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My mum is, like, my biggest fan, and she's the one who will basically do all the publicity for me back home... She'll constantly be talking to me saying, 'Dan, what's going on? We've heard this. Tell us about it! Dad wants to know!' And so I'll give them as much information as I can, and Mom and Dad are both my biggest fans.
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No, Queer Eye has a book coming out before mine, in the Spring of 2004, in which each of us has a section and we do a brief overview of our subject area.
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I'm producing more, but I think to direct, one has to have a burning desire, and that's not me. I'd rather do something else.
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I learned a lot from Arthur Rimbaud. People talk about how he wanted to be a seer and do that through the derangement of the senses. What they forget was that he also advocated, sternly and austerely, that one must be able to go through all that - and then articulate it.
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It's tourists in New York. Everything is geared towards that. It's so hard on Broadway now for them to get people in there. They have to compete with so many other entertainments, so they have to bring a star in which puts people there out of work.
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It's hard to see how the Copyright Office can rise to the many challenges of the 21st-century work that you do without dramatically more independence and dramatically more flexibility.
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With purity and with holiness I will pass my life and practice my Art.
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All my cop/gangster dramas have been spaced out, but somewhere, the films in which I played the bad guy were extremely successful, so people are under the impression that I play only such roles. I call it selective amnesia.
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Most producers get into it because they were just never handsome or charismatic or talented enough to be the star.
