Tavi Gevinson Quotes
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There are moments when I am really not happy with how I look, or I think it would be an easy way out to try and do the conventionally attractive thing. But part of it is that I don't have the energy to put on, like, makeup. If people want to do that, that's fine. But I've learned that it's not for me.
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I think that everybody wants to be heard, and the easiest way to be the loudest is to be the hater.
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I try to be very honest in my writing. It's amazing, though, to think that people are responding to what we do, but it's okay if they're responding in a positive way too, because I think just creating anything at all to put out there is a gift.
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I no longer get into stupid thought wormholes about identity and stuff. At one time, I did have some impostor syndrome about acting, but then I remembered I've been doing this since I was little, actually.
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I think people get excited about someone discovering something that blew their mind when they were younger. I think it makes people kind of nostalgic and happy. That's one of the really great things about the Internet, that it can bring people together in that way of just being interested in the same stuff.
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Half of my closet is Barbie clothes - PVC skirts, cropped fuzzy sweaters, and velvet minis.
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It brings me no joy and not enough comfort to dwell too much on things I've said or written or made or worn in the past.
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I don't know that a lot of boys read 'Rookie', but we get quite a few nice comments and e-mails from them. To say I'm devoted to making it girls-only is a little extreme, because I don't actively try to exclude everyone else, just make sure girls know that this space is for them first and foremost.
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If I'm thrifting, and I find this great dress, but it won't fit me, and I won't grow into it because I'm impossibly tiny, I don't want to let it sit there. I'll buy it and send it to a friend.
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I love 'First Wives Club' and 'Death Becomes Her' and movies about women like that.
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It was always in the back of my mind while we were working on the first year of 'Rookie' that we'd do a print version at some point.
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I really like looking at what's new in my favourite designers' stores, even if I don't buy anything.
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I was eight years old when Miley Cyrus made her debut on Disney Channel's 'Hannah Montana' and beginning my senior year of high school when she delivered the VMAs performance that single-handedly butchered the teddy-bear industry.
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What feels most productive to me isn't to think so much in terms of how I can be alternative, but how I can be subversive in a way that feels organic, how I can connect with people, and how I can just be myself, which may be the hardest thing to be.
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With acting, I felt like I had a lot to prove because I didn't study it; I didn't work my way up in a traditional sense.
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I'm really good at making teen angst romantic. I'm really good at dealing with heartbreak and things like that and making it into this whole experience. But there's no way to make someone-on-the-Internet-said-something-mean-about-me into romantic angst where you can listen to music and cry or whatever.
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I'd like 'Rookie' to be a helpful resource, but I never want it to be too prescriptive. Hopefully, it also makes the reader feel encouraged to think for herself.
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When I first watched Bette Davis in 'All About Eve', I was struck by how much I felt that she is Margo Channing and that she's Bette Davis, where she was able to do both, where you're like, 'What an icon.'
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If my parents ever had to ground me, they didn't really know what that would mean, because I was inside most of the time anyway.
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I still care a lot about my personal style, and since moving to New York and having a little more control over my own money, I've been able to make my 12-year-old fashion nerd dream comes true.
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When you're a kid you're already trying to create your own world and organize the one in front of you, but then you get all insecure around 6th grade and don't think you have a right to share that.
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One of my intentions with 'Rookie' is for the girls reading it to know that they are already cool enough and smart enough and pretty enough.
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I don't know if I'll ever make rap music, but I just like people who are like, 'I am going to just find the medium that's best for this idea and master it and do that.'
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Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.