Tavi Gevinson Quotes
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If my parents ever had to ground me, they didn't really know what that would mean, because I was inside most of the time anyway.
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People don't know what to do when writing a story with teens that takes place now - they think you have to make a bunch of references to Facebook.
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I understand that a lot of girls feel encouraged by what I have been able to do, but I've never felt like I'm a role model. I'm not concerned with building a great legacy or anything because I'll be dead so it won't matter.
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I'm a big journaler, so for every new journal, I would change the way my room looked and change the posters on the walls, and I would change what I was wearing, and I would have a playlist, and it all kind of corresponded and matched, and I would change my handwriting in the journals.
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When I was around 12, my heroes were Cindy Sherman and Bob Dylan and Samuel Westing from the kids' novel 'The Westing Game'.
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I go through periods where I don't really care what I look like, because I feel more focused on the work that I'm doing, and I don't want to think about it. And then sometimes it feels like the biggest part of my day is getting dressed.
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I created 'Rookie' because I read a lot of websites that I thought were cool and interesting, but they weren't for teens, and I wanted us to have something that could be ours.
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That young people don't have valid thoughts about the world because they haven't been alive long enough is sadly a very popular and, frankly, unoriginal sentiment. When I think about that time, I was just responding to the world around me.
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I think it was my mom's attitude about art and being part of the narcissistic digital generation or whatever that made me think anyone would care what I had to say about anything!
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The idea of being a 'child star' always sounded awful to people my age, and so I was just very aware that these things are kind of fleeting and that a lot of it didn't have to do with me: it had to do with my age; it had to do with whatever came to mind when people thought of a young internet sensation.
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I'm a lot more productive in an actual office. I love being around our other editors, and going there every day alleviates some of the guilt that I think many self-employed people feel when you know you could always be working from your laptop at home. I feel so relaxed there, while completely engaged and inspired.
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I still care a lot about my personal style, and since moving to New York and having a little more control over my own money, I've been able to make my 12-year-old fashion nerd dream comes true.
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Sometimes if you expose your vulnerability, someone else will feel comforted. It's like we're all in this boat together.
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My dad is an English teacher, and my mom is a textiles artist. My parents made my sisters and me feel that if we wanted to pursue something creative, it could be done. They've always been supportive of everything from the beginning.
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Before 'This is Our Youth', I did a week of table reading 'Airline Highway' at Steppenwolf in Chicago while the author, Lisa D'Amour, workshopped it.
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I first met Solange at a party for her gorgeous and inspiring website, Saint Heron. I'd already had so many phases of listening exclusively to 2012's 'True' and admired her activism and radiant style.
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I think it'd be great to own a fun concept store with my friends and just sell books and records.
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I'm very interested in film, but any more involvement would happen organically. I'm not really seeking anything out, just looking at projects that come up that interest me.
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Every day, I kind of have in my brain a few slots of what I want to do. Like school, sleep, homework, 'Rookie,' hanging out with friends, mindless relaxation time, and then trying to do my own creative things.
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Maybe I need to make a change, or maybe it's living here in New York or using social media or working in media and entertainment, but I feel like I'm constantly trying to maintain this sense of, 'Why do I do what I do?'
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It's so hard getting rid of something that means something to you, as many of the pieces on our site do for me.
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Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.
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I'm good at utilising body parts as letters.
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A lot of people glorify and romanticize the idea of being an early bloomer: finding success very early and being a child star. But it can also be quite dangerous.