Tavi Gevinson Quotes
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So much about 'Rookie' has been very organically familial among our contributors, among our readers. Yeah, if I interview someone like Lorde, who I do know outside of work - sometimes I'm just so happy; it's so cool that this is organically, effortlessly, the warm, supportive friend vibe that we want here.
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When I was around 12, my heroes were Cindy Sherman and Bob Dylan and Samuel Westing from the kids' novel 'The Westing Game'.
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I'm not exactly in a position where I get to be super-picky about the roles I get. But I would also never want to be a part of something that I think is poor in taste or doesn't align with what I believe in.
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People don't know what to do when writing a story with teens that takes place now - they think you have to make a bunch of references to Facebook.
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I'm a big journaler, so for every new journal, I would change the way my room looked and change the posters on the walls, and I would change what I was wearing, and I would have a playlist, and it all kind of corresponded and matched, and I would change my handwriting in the journals.
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I think it was my mom's attitude about art and being part of the narcissistic digital generation or whatever that made me think anyone would care what I had to say about anything!
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That young people don't have valid thoughts about the world because they haven't been alive long enough is sadly a very popular and, frankly, unoriginal sentiment. When I think about that time, I was just responding to the world around me.
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I created 'Rookie' because I read a lot of websites that I thought were cool and interesting, but they weren't for teens, and I wanted us to have something that could be ours.
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I'm a lot more productive in an actual office. I love being around our other editors, and going there every day alleviates some of the guilt that I think many self-employed people feel when you know you could always be working from your laptop at home. I feel so relaxed there, while completely engaged and inspired.
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I go through periods where I don't really care what I look like, because I feel more focused on the work that I'm doing, and I don't want to think about it. And then sometimes it feels like the biggest part of my day is getting dressed.
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I first met Solange at a party for her gorgeous and inspiring website, Saint Heron. I'd already had so many phases of listening exclusively to 2012's 'True' and admired her activism and radiant style.
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My dad is an English teacher, and my mom is a textiles artist. My parents made my sisters and me feel that if we wanted to pursue something creative, it could be done. They've always been supportive of everything from the beginning.
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Before 'This is Our Youth', I did a week of table reading 'Airline Highway' at Steppenwolf in Chicago while the author, Lisa D'Amour, workshopped it.
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Sometimes if you expose your vulnerability, someone else will feel comforted. It's like we're all in this boat together.
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I still care a lot about my personal style, and since moving to New York and having a little more control over my own money, I've been able to make my 12-year-old fashion nerd dream comes true.
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It's so hard getting rid of something that means something to you, as many of the pieces on our site do for me.
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I think it'd be great to own a fun concept store with my friends and just sell books and records.
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A lot of people glorify and romanticize the idea of being an early bloomer: finding success very early and being a child star. But it can also be quite dangerous.
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Maybe I need to make a change, or maybe it's living here in New York or using social media or working in media and entertainment, but I feel like I'm constantly trying to maintain this sense of, 'Why do I do what I do?'
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Every day, I kind of have in my brain a few slots of what I want to do. Like school, sleep, homework, 'Rookie,' hanging out with friends, mindless relaxation time, and then trying to do my own creative things.
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I'm very interested in film, but any more involvement would happen organically. I'm not really seeking anything out, just looking at projects that come up that interest me.
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I'm good at utilising body parts as letters.
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Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.
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The idea of being a 'child star' always sounded awful to people my age, and so I was just very aware that these things are kind of fleeting and that a lot of it didn't have to do with me: it had to do with my age; it had to do with whatever came to mind when people thought of a young internet sensation.