Tavi Gevinson Quotes
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If my parents ever had to ground me, they didn't really know what that would mean, because I was inside most of the time anyway.
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I like 'My So-Called Life' and the 'Riot Grrl Movement' and 'Freaks and Geeks.'
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The idea of being a 'child star' always sounded awful to people my age, and so I was just very aware that these things are kind of fleeting and that a lot of it didn't have to do with me: it had to do with my age; it had to do with whatever came to mind when people thought of a young internet sensation.
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My dad is an English teacher, and my mom is a textiles artist. My parents made my sisters and me feel that if we wanted to pursue something creative, it could be done. They've always been supportive of everything from the beginning.
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I'm not exactly in a position where I get to be super-picky about the roles I get. But I would also never want to be a part of something that I think is poor in taste or doesn't align with what I believe in.
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I understand that a lot of girls feel encouraged by what I have been able to do, but I've never felt like I'm a role model. I'm not concerned with building a great legacy or anything because I'll be dead so it won't matter.
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Maybe I need to make a change, or maybe it's living here in New York or using social media or working in media and entertainment, but I feel like I'm constantly trying to maintain this sense of, 'Why do I do what I do?'
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Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.
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I'm a lot more productive in an actual office. I love being around our other editors, and going there every day alleviates some of the guilt that I think many self-employed people feel when you know you could always be working from your laptop at home. I feel so relaxed there, while completely engaged and inspired.
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Some of my clothes are things that we'd play dress up with when we were little, and it's funny that now I'm wearing it, like, as an everyday thing. But if I say 'vintage' or 'thrifted' on the blog, there's this community of fashion bloggers, and I've become sort of tight with some of them, and we, like, just send each other packages.
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When I was around 12, my heroes were Cindy Sherman and Bob Dylan and Samuel Westing from the kids' novel 'The Westing Game'.
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I don't know if I'll ever make rap music, but I just like people who are like, 'I am going to just find the medium that's best for this idea and master it and do that.'
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I first met Solange at a party for her gorgeous and inspiring website, Saint Heron. I'd already had so many phases of listening exclusively to 2012's 'True' and admired her activism and radiant style.
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My life motto is basically to lower your standards and expectations so you're never disappointed and never put any trust in anything, and I try to prepare for the day that I wake up, and everyone I know is like, 'LOL JK best long-running practical joke ever', so I've never really let myself freak out or get too excited about anything.
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I just feel so lucky that I'm able to do things that are enriching for me.
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I think it'd be great to own a fun concept store with my friends and just sell books and records.
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I created 'Rookie' because I read a lot of websites that I thought were cool and interesting, but they weren't for teens, and I wanted us to have something that could be ours.
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I love art, but I don't think I'm especially good at it. Fashion I think I could imagine, but I'm not really sure. I think it's easiest for me to picture myself in music.
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That young people don't have valid thoughts about the world because they haven't been alive long enough is sadly a very popular and, frankly, unoriginal sentiment. When I think about that time, I was just responding to the world around me.
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I'm very interested in film, but any more involvement would happen organically. I'm not really seeking anything out, just looking at projects that come up that interest me.
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I'm a big journaler, so for every new journal, I would change the way my room looked and change the posters on the walls, and I would change what I was wearing, and I would have a playlist, and it all kind of corresponded and matched, and I would change my handwriting in the journals.
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Before 'This is Our Youth', I did a week of table reading 'Airline Highway' at Steppenwolf in Chicago while the author, Lisa D'Amour, workshopped it.
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It's so hard getting rid of something that means something to you, as many of the pieces on our site do for me.
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Every day, I kind of have in my brain a few slots of what I want to do. Like school, sleep, homework, 'Rookie,' hanging out with friends, mindless relaxation time, and then trying to do my own creative things.