Patrick Kane Quotes
Quotes to Explore
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Remember who you are and where you come from; otherwise, you don't know where you are going.
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Well, when you get into the business, what you have to realize is that signing autographs and getting 'bothered' is just part of the deal. It's not a bother to me at all. That's part of being an actor and that's something you have to realize before you ever get into this business.
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When life knocks you down, keep getting up.
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I have always believed in dialogue and in nonviolence, and if you look at my background you will see that it has always been my policy to talk to everyone.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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If you're famous, you're not free.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Most vegetarians look so much like the food they eat that they can be classified as cannibals.
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The very important thing you should have is patience.
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A pitcher has to look at the hitter as his mortal enemy.
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Only in your imagination can you revise.
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Working for a magazine, you have a boss; you are not free.
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How well you eat and rest helps you analyse your energy reserves.
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Womanhood is something you don't consider until it hits you.
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When you write as a woman, there's this feeling there's going to be a softness.
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You can't try to be authentic. You either are or you aren't.
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Life's a bit like mountaineering - never look down.
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Fashion is anything which is you and reflects your personality, and if you are comfortable with what you wearing, you'll look trendy and fashionable for sure.
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If you don't think too good, don't think too much.
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As a young physician in the mid-'80s, caring for people who had contracted H.I.V., I lost two of my patients to suicide at a time when the virus was doing very little harm to them. I have always thought of them as having been killed by a metaphor, by the burden of secrecy and shame associated with the disease.
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Historical science is being left in the dust.
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I can't take the subway anymore. I think I can still take the bus, though. It's a double-edged sword because I'm grateful that people recognize and support me, but there are definite downsides to that.
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We were constantly appealing for funds from readers when I edited 'The Black Dwarf' in 1968-69.
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I've noticed if you look too far ahead, it only works negatively on you.
