Patricia McCormick Quotes
I don't want to go slumming in somebody else's pain just to write a book. I want to go into those darker places to shine a light on that experience and come out with a story that validates the human spirit.
Quotes to Explore
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What we do for a living does not matter so much as how we do it. It is the spirit in which we do our work that counts, and that counts through all eternity.
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I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
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It's an error in judgment to bounce into starting a small business before you cash in on building a strong foundation.
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The director had come to Madrid to court me.
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And it seems to me in that experience may lie at least some of the clues for policy development perhaps constitutional changes as well that Labour will need to make at the national level too.
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I do think that tonal element of Trump's is attractive, but I don't know if I would go so far as to say the confrontational element of his rhetoric is necessarily attractive.
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I was quite keen on silviculture, the growing of trees, and that was something I gave a lot of thought to. Maybe I could've gone in that direction. But it just so happened that while I was trying to make up my mind, I enrolled in art school, and there I began to develop my interest in music, parallel with my interest in the visual arts.
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Perfect partners don't exist. Perfect conditions exist for a limited time in which partnerships express themselves best.
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I was a dancer when I got discovered, and I started working immediately. I started being in commercials and doing guest star roles. My first big thing, which happened maybe six months after being discovered, was 'Bring It On: All or Nothing.'
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Eighteenth-century matrons would have never have dreamed of appointing a redhaired wet nurse for their precious offspring - redheads passed on their horrible characters through their milk.
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I miss particularly the managing editor role on the 'Evening News.'
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Some people can be choosy because they're ultratalented or lucky or whatever, but yeah, there are certain things that might not be the greatest thing on my resume. But I don't sit back and go, 'Gosh, I wish I didn't do that.' It's all part of the growth of a career, whether you're an entertainer or a librarian.
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I hate to repeat lines, to say the same damned thing. I try to rewrite cliches and make what I say sound fresh.
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I'm such a perfectionist.
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Intellectually, I am already an old man. But in the sensory area, I am still such a child! I shuffle on my bottom between the two.
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Working with 50 Cent was great, you know what Im saying? It was just great to work with 50 Cent.
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I've got some gift for languages. You follow your gift. But Latin's not easy.
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Everyone is just nicer to prettier people.
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No one is going to remember a second-place team.
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I grew up around horses, but acting and riding on camera is a whole different thing.
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Unfortunately, when you're working in film, it's this huge machine, and you've got to get everyone right there, so you get kind of locked into things. I'm not sure where the artistry in film making is. It's usually that moment when you're on set and you're working with the actors. That's the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It's upsetting because you get away from the core.
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It's almost an impossible thing to get a movie made that is written by two actors who want to star in it, when no one knows who they are. The only time it happened that I know of was when Sylvester Stallone did it in 'Rocky.'
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I spent a couple of years doing American films. I did a few.
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I don't want to go slumming in somebody else's pain just to write a book. I want to go into those darker places to shine a light on that experience and come out with a story that validates the human spirit.
