Parminder Nagra Quotes
At times, I couldn't understand what I was doing. I just knew I needed to stick with it. It was instinct, and that's what I've always relied upon.
Quotes to Explore
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When I was in high school,we were, like, 4,000 or 5,000 students, and 50 girls - and I didn't have a date for my prom. My father paid my cousin to take me.
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By and large my relations with the US were good.
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I think about food literally all day every day. It's a thing.
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I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
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For me, art is always a kind of theater. When I started the spot paintings, I made them as an endless series. But I was never serious about it being an endless series. It was just an implied endless series. The theater means you just have to make it look good for that moment in the spotlight.
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Never mind money; the gifts of time and skill call into being the richest marketplace in the world.
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When I'm on Faro, I'm never lonely.
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I can think of films that I'm producing right now that are extremely hard-hitting, graphic films, that nobody necessarily wants to see, graphic in terms of violence, of adult content and racial and historical subject matter.
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I always find Victoria's Secret models a bit weird.
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Ernest Hemingway did a great deal toward making the writer an acceptable public figure; obviously, he was no sissy.
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When I lived in Baltimore, I would come down fairly often to go to the Hirshhorn, and one of my good friends from high school went to Georgetown. I actually ended up going to Annapolis a lot. I had a car, and it was such a serene place to drive.
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People spend a lifetime thinking about how they would really like to live. I asked my friends and no one seems to know very clearly. To me it's very clear now. I wish my life could have been like the years when I was writing 'Love in the Time of Cholera.'
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When I first signed to RCA, I was sort of excited and shocked that it was happening. But over the next couple of years, it really started to feel like that game you play when you're a little kid - the one where you put your nose on a bat and then spin around and try to walk.
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I was in a group called Wild Orchid and it just wasn't working. I wasn't being myself. What I should have done was say. 'Girls, it's really time for me to go on my own. I need to fulfill this dream of mine to have a solo album.' And I didn't know how to do that. I wanted to please them.
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I always wish I could go back and see the people that I love as children.
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I have never been prouder to be a lifelong New Yorker than I am today with the passage of marriage equality.
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I never remember having a plan. All I could think about was how I was going to afford to get into college or where I was going to stay because I hated being at home. I didn't really have time to think about anything in the future. I didn't think about a career or anything. I went to uni, got a couple of jobs, so I sort of funded it myself.
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The I is the soul, which endures.
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I have English family in Northhampton and have been to England numerous times.
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I am not that big a method actor.
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By the fourth or fifth record there was not a lot of time to sit around. We The Replacements stopped rehearsing. We stopped getting together and rehearsing. We'd perform, and that would take it all out of us. Then we'd be done touring and we'd be sick of each other. We'd never call each other up and hang out.
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At times, I couldn't understand what I was doing. I just knew I needed to stick with it. It was instinct, and that's what I've always relied upon.
