Barnett Newman Quotes
I hope that my painting has the impact of giving someone, as it did me, the feeling of his own totality, of his own separateness, of his own individuality.
Quotes to Explore
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I don't see pitches down the middle anymore - not even in batting practice.
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I wanted my children to have the same exposure to the water I had. My strongest memories of Northeast Harbor are going in a small Whaler with my dad, looking for osprey.
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I never even held a guitar until I was 23 and living in California, but then loved it. I'm really not an accomplished instrumentalist. Maybe that has something to do with why I write and sing.
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I think studies are really important and shouldn't be compromised.
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If you're in a dark place, you're there for a reason. And the only way to get through to those kids or to other people going through the same thing is really to meet them in that dark place and then slowly bring them to the light.
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I like to do everything myself - I'm very hands-on with my housekeeping, my children, travelling, how I do things.
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Sometimes your parents are the ones with the biggest mouths of all time.
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All my life I had feared to-morrow, until I decided to have faith and to live to-day in courage.
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When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
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My friends tell me I have an intimacy problem. But they don't really know me.
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I have a trophy case that contains all the action figures ever made of me. It also has items I've stolen from my movies, like three guns and holsters from 'Serenity'.
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For every three scripts that you get through, one will be made, and that doesn't even necessarily mean that they're going to cast you in it.
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The public is wonderfully tolerant. It forgives everything except genius.
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Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.
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I have lost my mental faculties but am perfectly well.
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When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
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You eat and sleep it all day long and play on the streets until mom calls you in. My story is no different than anybody else's.
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I've always used black girls on the runway, because I think they're beautiful. I don't need people to tell me, 'You need to use black girls.' I did for 20 years; it's not a new thing for me.
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In practice, attempts to sort out good erotica from bad porn inevitably comes down to 'What turns me on is erotic; what turns you on is pornographic.'
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I'm still overwhelmed and, at the same time, kind of star struck that I am part of this New England Patriots organization.
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I am a guy who likes those who drive through red lights.
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The problem is a lot of what is called economics is not economics. It is more ideology or religion.
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I hope that my painting has the impact of giving someone, as it did me, the feeling of his own totality, of his own separateness, of his own individuality.
