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You can get money and make a really cheap movie. You can, from independent financers who are just giving you money to support artists. This is what was happening in the '90s, and I was very fortunate to be a part of that.
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Being an indie queen, people think I have all these choices. Like I've just been sitting around waiting for the best indie film that I deem acceptable.
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You know, it's a really adult thing, for some people, to choose to not be with the one that you love.
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There have been periods of my career that I haven't worked for a really long time, like seven or eight months.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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Do you know why I don't like doing press? I have trouble condensing things. I'd rather have a conversation.
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I like sitting close to windows.
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Being in a Woody Allen film. I cherish it.
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How movies are financed, it's a world market now... I feel like, you know, the independent film way of working is something that was in my bones. It's like being a part of a punk band, but no one's singing punk rock anymore. Only a few bands are able to play, and Woody Allen is one of them.
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I like trying different foods. I've done vegetarian stuff, and I've gone through meat phases, and then I do no bread, and then I eat bread. I'm really all over the place in the way a lot of actors are.
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I think people probably think I self-start, but I don't... I'm an actor, and I like to be of use to the director. To be a muse.
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I don't Twitter, although sometimes I think that I should.
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They're like a weird couple. If you were to personify the artichoke and the oyster, they would have a great date. They would totally get along.
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I just want to balance myself holistically and see what different foods do what to me.
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Every time I do something, I worry it's my last job.
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People have more dimensions to them than we give them credit for. The person you meet on the street that you think is someone, and it's someone else. I'm mistaken for someone else all the time.
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I love 'Fishing With John' so much.
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I'm trying to work in studio movies, but they won't hire me.
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Acting is a really strange thing to do; it's very strange.
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I really like this trend of songwriting that is honest and intelligent and serious and longing.
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My grandmother is this amazingly theatrical woman. She acted like a movie star, as far as looks and attitude, kind of like Susan Hayward.
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It was just such a demeaning thing to do, being in silent movies. They'd call you up and tell you, 'Hey, jump off this building!' and they'd give you a hundred bucks, and you'd do it.
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You really don't get paid in these independent movies, no matter how many people see them.
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Everything has its own kind of theatricality and its own drama.