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You can get money and make a really cheap movie. You can, from independent financers who are just giving you money to support artists. This is what was happening in the '90s, and I was very fortunate to be a part of that.
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Being an indie queen, people think I have all these choices. Like I've just been sitting around waiting for the best indie film that I deem acceptable.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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You know, it's a really adult thing, for some people, to choose to not be with the one that you love.
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There have been periods of my career that I haven't worked for a really long time, like seven or eight months.
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Do you know why I don't like doing press? I have trouble condensing things. I'd rather have a conversation.
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I think people probably think I self-start, but I don't... I'm an actor, and I like to be of use to the director. To be a muse.
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I like sitting close to windows.
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I like trying different foods. I've done vegetarian stuff, and I've gone through meat phases, and then I do no bread, and then I eat bread. I'm really all over the place in the way a lot of actors are.
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Being in a Woody Allen film. I cherish it.
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How movies are financed, it's a world market now... I feel like, you know, the independent film way of working is something that was in my bones. It's like being a part of a punk band, but no one's singing punk rock anymore. Only a few bands are able to play, and Woody Allen is one of them.
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I don't Twitter, although sometimes I think that I should.
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They're like a weird couple. If you were to personify the artichoke and the oyster, they would have a great date. They would totally get along.
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You really don't get paid in these independent movies, no matter how many people see them.
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There are roles out there and women out there that are fascinating to me, and there are things in our culture that I see that I want to express. It's my passion to express that.
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People have more dimensions to them than we give them credit for. The person you meet on the street that you think is someone, and it's someone else. I'm mistaken for someone else all the time.
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I really like this trend of songwriting that is honest and intelligent and serious and longing.
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My grandmother is this amazingly theatrical woman. She acted like a movie star, as far as looks and attitude, kind of like Susan Hayward.
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It was just such a demeaning thing to do, being in silent movies. They'd call you up and tell you, 'Hey, jump off this building!' and they'd give you a hundred bucks, and you'd do it.
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I'm trying to work in studio movies, but they won't hire me.
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I just want to balance myself holistically and see what different foods do what to me.
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Everything has its own kind of theatricality and its own drama.
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Acting is a really strange thing to do; it's very strange.
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I thought I'd have a career playing women in the vein of Ruth Gordon, and we've seen that type almost disappear.