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I thought I'd have a career playing women in the vein of Ruth Gordon, and we've seen that type almost disappear.
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I love 'Fishing With John' so much.
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I make a lot of soups, and I love stews. My mother's a big foodie. She went to culinary school in New Orleans and has an oyster-artichoke soup recipe that has no cream in it but it tastes so creamy.
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I feel like there's such a responsibility, when you make a film, to enlighten people, to make them think, to make them laugh, or even just to be entertaining.
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I love bayou life.
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They love putting me in the 'indie queen' box. I had some high standards in my 20s that I don't have anymore.
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I love New York.
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There are all these scripts where the women, if they're working, are prostitutes and lawyers with an angry streak who'll kill you. It's a reaction to women leaving their men and men being angry about it and saying it on some subconscious level.
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I like the two worlds coming together in the Internet space, which is so up for grabs... It all struck me when I heard about Twitter and Instagram, how it's like notes you pass in class. If someone's passing you a note, you really should be doing something else, and instead you're like, oh, 'What are you doing?'
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It hasn't really made it easier getting film work. It's not like I can call up a studio or a producer and say - insert haughty voice here - 'It's Parker. I guess you might know me as the indie queen. I'm wondering if you have any projects for me to be in.'
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But it's fun to be something, have that, and you don't have to be real. It's like, comedians. They go on and they're doing all these jokes. I would be like that if I were more awake.
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I would love to do something like 'Fishing With John.'
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I sang in 'Waiting for Guffman,' and I sang in 'A Mighty Wind.' I can carry a tune, but I don't like that Broadway singing.
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My dad recently reminded me that my grandfather's cousin was Lefty Frizzell.
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How can we have our privacy? How can we have our independence now in these times with these cameras? Because I think privacy and our solitude is really important.
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I was raised Catholic, but the devil was never with a pitchfork.
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It's always the girl comedy and the guy comedy. It bums me out. You'd think there'd be a progression, from James L. Brooks and Nora Ephron into more subtle humor and behavior and psychology. All these interesting things people can learn about themselves by watching talented writers comment intelligently on someone else's emotional life.
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The sound of a golf game is very different than the sound of a football game.
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Chris Guest has his own form. It's a way of working that is really intense, and you can commit a lot, and you focus a lot. You get to bring a lot. You get to bring things maybe you haven't seen before. You're asked to care a great deal for these people who you're playing and create heart and empathy.
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It's not really cool to be singled out.
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In case you don't know this, we're not in the '90s anymore. Indie cinema does not reign.
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Hey, the TV was my friend. As a child, I always said, 'I want to live in there someday.'
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There are so few stories being produced that are human. I suffer with the loss of that. I feel kind of out of place, even though I've continued to work.
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When I did 'Guffman,' it was terrifying. I didn't know what to say. I started talking, and it just came out.