Parker Posey Quotes
I work with directors who haven't had the experience of being on sets as much as I have. I feel like, in a way, if it's an independent movie, I can teach the crew to kind of relax, or create a vibe. It really is about a vibe.
Quotes to Explore
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Kids are always going to be around people who break world records and that. It's how you deal with that. I never let it get in the way of my race, but I am always more than happy after the race to sign autographs and have photos.
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I love being the mayor. I want to be the mayor forever.
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Feeling has as much to say as the words do. You can have the greatest words in the world and if they're not believable, they don't strike a chord and they're not said convincingly, it's not a great song.
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I feel like the reason people feel like they know me is because I'm giving you myself in the music. There's where the connection comes from; you can't Twitter that.
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There's nothing unnatural in creation.
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Talent will only take you so far, and it is your ability to feel the music and explore a movement that will bring you the greatest pleasure in dance.
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I tend to think that cricket is the greatest thing that God ever created on earth - certainly greater than sex, although sex isn't too bad either.
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I identified in a very deep way with the individuals I was writing about because the theme that runs through this story is of extraordinary hardship and the will to overcome it.
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The artist finds, that the more he can confine his attention to a particular part of any work, his productions are the more perfect, and grow under his hands in the greater quantities.
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I put on whatever is comfortable on me. Suit, jeans and tee as long as it's comfortable. It doesn't matter what brand. If it looks good I buy it.
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I need to meet people to be able to write.
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The three great problems of this century; the degradation of man in the proletariat, the subjection of women through hunger, the atrophy of the child by darkness.
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I am hopeful that no one will forget what happened in Bosnia.
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I hate the domestic life.
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I just go in the studio and write on the spot and see what comes out.
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It's strong to be vulnerable. To be able to communicate with other women is one of the most powerful things.
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Once I turned 13, I was the guy magnet.
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I ate better in Liberia than I did in Ohio.
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Look, people have an image of Italians. When I go somewhere in the world, I don't care where it is, when they look at me it's not about my intelligence. It's who can I beat up.
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I don't think that just because people will pay a certain amount for a ticket that it's all right to charge it.
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Older consumers don't want to be treated like teenagers; what's more, they don't want to believe they fall into any niche at all.
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For example, you have these grotesque, hilarious, profane ghosts in the book [Lincoln in the Bardo]. Even the concept of talking ghosts is, from an aesthetic point of view, grotesque. But you seem compelled by that risk in order to get to the other end of the equation.
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In real life, events seem much less dramatic.
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I work with directors who haven't had the experience of being on sets as much as I have. I feel like, in a way, if it's an independent movie, I can teach the crew to kind of relax, or create a vibe. It really is about a vibe.
