Beck (Beck Hansen) Quotes
Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous linear fashion, although that was written over a year.
Quotes to Explore
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I'm constantly trying to find something that's different from me, whereas some actors do the same thing, again and again. That's not for me.
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Music was a way of rebelling against the whole rah-rah high school thing.
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I knew I wanted to pursue a career in the theater the minute I graduated from college having not pursued it! So I went back to school and got a degree in music and began working in musical theater.
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Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
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If we are a metaphor of the universe, the human couple is the metaphor par excellence, the point of intersection of all forces and the seed of all forms. The couple is time recaptured, the return to the time before time.
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The Obama administration and the Democratic Congress have taken the biggest lurch to the left in policy in American history. There've been no - no Congress, no administration that has run this far to the left in such a small period of time. And there is a reaction to that.
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I think that any time you're able to get a guy like Carmelo Anthony to be on your team, you're going to be a step up.
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The idea of music is to liberate the listener and lead him to a frame where he feels he is elevated.
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With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
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Music means different things to different people and sometimes even different things to the same person at different moments of his life.
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For an actor, a Mamet play is definitely on the list of things you hope to be a part of before it's time to exit.
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I actually spend very little time listening to any new music.
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I like to release music the way I feel it, as opposed to having a date. The idea of dates, boxes, categories are very scary for me.
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I still think reading something like 'Ulysses' takes a tremendous investment of time, but it repays all of it with so much interest.
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I firmly believe, only because I've been doing this for so long, every show takes three years. 90% of them don't get three years. It just does. It takes a long time to build a community, build a friendship with your characters. It's hard for people to grasp on and make them care about you.
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Music is the best means we have of digesting time.
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On balance, after weighing the arguments, I believe that the time has come for Australia to create a new sovereign wealth fund.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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I definitely went through a phase where I wanted to be a fashion designer when I was younger... But I certainly wasn't very good at it.
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Another glorious Sierra day in which one seems to be dissolved and absorbed and sent pulsing onward we know not where. Life seems neither long nor short, and we take no more heed to save time or make haste than do the trees and stars. This is true freedom, a good practical sort of immortality.
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I've been eating a porridge of millet for breakfast, something that my doula recommended I eat. It doesn't taste that great, but it's supposed to be really nourishing for the baby, and you're not supposed to eat any gluten when you're pregnant. I've been making pancakes out of it and add berries.
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The man of fixed ingrained principles who has mapped out a straight course, and has the courage and self-control to adhere to it, does not find life complex. Complexities are all of our own making.
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I see myself as having three families: my birth family, the family that raised me, and my Cree family, who I was reunited with in my late teens, so I consider myself to be lucky.
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Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous linear fashion, although that was written over a year.
