Beck Quotes
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I enjoy the collaboration. I always envied people in bands who got to have that interaction. I've done so many albums where I've been in the studio for 14 hours a day for six months just trying to come up with things on my own. It's a nice change helping other people with their music and not being all about what I'm trying to do myself.
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Two men look out the same prison bars; one sees mud and the other stars.
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If someone is making a judgment when they don't have firsthand experience, it's intolerant. How can you make a judgment on something you don't know about?
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But people like to say, Oh, it's in the blood. But art comes from nowhere. It comes from a vague, scary place. It's scary because you don't know when it's coming or if it will ever come again. It's this Other.
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In the past it seemed like I was making fun of rap a little bit. But it was more me making fun of myself, since I'm not technically a rapper, whatever that means.
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I hear a lot of bad TV commercials that try to sound like Where It's At. That pretty much turned me off from using the electric piano for a lot of years.
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If we look at the fact that record covers are essentially advertisements for the music, we acknowledge a function and purpose to draw in the prospective buyer.
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I have heard some stuff that might be influenced by my records, but it's usually pretty wacky and off-the-wall, which is kind of annoying, to be frank.
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I'm not good at the protocols of dating. laughs I'm not really experienced in that. My girlfriend is my second or third girlfriend. I think in the past none of us really knew when we were 'dating'-we were just hanging out and doing things. I didn't go to high school so I missed the prom.
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Art is the child of Nature; yes, her darling child, in whom we trace the features of the mother's face, her aspect and her attitude.
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There are certain songs that just stick around and do something that transcends whatever time they were written in. Through different eras, people are able to impart different meaning to the song, and they become part of some sort of consciousness.
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When my nephew was 3 and 4, he would say the most genius things. He said, You're hammer macho with FBI dogs. I thought it was just one of those great lines.
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Something just happens when you're making a record, where certain things start to come out. It's just something in the air.
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I never had any expectations of winning a Grammy. It wasn't something I was set on, that I was hoping and praying and starving for.
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If you look at an old piece of sheet music, there's all kinds of text on it, there are ads, there are proclamations of the greatest songs' success, there's artwork. So there is a tactile, physical experience of learning the song and the way it's notated.
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I think trying to be offbeat is the most boring thing possible.
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I can't tell you how many things I've worked on where I sat on it for a few years, and then somebody else did something very similar. Whether it's some weird vocal effect you hear on another record, or a drum beat, or even a song title, a subject matter, or a mixture of different kinds of music.
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I always loved art shows at schools. My friends with kids would go, and I would go with them. It's some of my favorite art... It's more about creativity than the grand statement of an agenda.
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I would love to do an electronic record. There's just so much to see and do and try. And life goes by.
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Studying music in a conservatory would be stifling for me, although I respect people who can do it. And by no means am I an expert at notating music or music theory - that's not really my world.
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Being able to take musical ideas through every iteration is attractive to me. Granted, not everyone's going to want to listen to that, but it should exist.
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I came up in a time when Springsteen, the Stones, Dylan, and the Beatles were still dominant. For every magazine cover with a new band, there were five covers with one of those guys.
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I try not to obsess about recording. I'm definitely the one who will leave all the mistakes-to have that balance between what's undone and done. I try to move on to the next thing. I have friends who have been working on the same song for five, six years. They just won't let the songs go.
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Every band I knew or played with had flyers and properly-recorded demos and contacts; I couldn't even get a gig.