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I recently saw The Last American Virgin, one of those early-'80s coming-of-age movies. And the actors, they look like kids you grew up with! Today's teen movies, I didn't know anybody who looked like that. The standards now are so unbelievably high.
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I remember being really shocked after Mellow Gold came out and going on tour, and all these kids were there. It totally disturbed me. Who are all these young people? I'd been playing Mississippi John Hurt covers in coffee shops to a bunch of thirty-, forty-, fifty-year olds. Then all of a sudden there were these teenagers.
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I sat out a few years because I wasn't really sure what I wanted to do next. So many things were changing in music and in culture, so it seemed like a good time to step back.
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If we look at the fact that record covers are essentially advertisements for the music, we acknowledge a function and purpose to draw in the prospective buyer.
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I can't tell you how many things I've worked on where I sat on it for a few years, and then somebody else did something very similar. Whether it's some weird vocal effect you hear on another record, or a drum beat, or even a song title, a subject matter, or a mixture of different kinds of music.
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Art is the child of Nature; yes, her darling child, in whom we trace the features of the mother's face, her aspect and her attitude.
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In the past it seemed like I was making fun of rap a little bit. But it was more me making fun of myself, since I'm not technically a rapper, whatever that means.
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I hear a lot of bad TV commercials that try to sound like Where It's At. That pretty much turned me off from using the electric piano for a lot of years.
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I have heard some stuff that might be influenced by my records, but it's usually pretty wacky and off-the-wall, which is kind of annoying, to be frank.
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When my nephew was 3 and 4, he would say the most genius things. He said, You're hammer macho with FBI dogs. I thought it was just one of those great lines.
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There are certain songs that just stick around and do something that transcends whatever time they were written in. Through different eras, people are able to impart different meaning to the song, and they become part of some sort of consciousness.
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I always loved art shows at schools. My friends with kids would go, and I would go with them. It's some of my favorite art... It's more about creativity than the grand statement of an agenda.
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Something just happens when you're making a record, where certain things start to come out. It's just something in the air.
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Two men look out the same prison bars; one sees mud and the other stars.
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I think trying to be offbeat is the most boring thing possible.
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If you look at an old piece of sheet music, there's all kinds of text on it, there are ads, there are proclamations of the greatest songs' success, there's artwork. So there is a tactile, physical experience of learning the song and the way it's notated.
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I never had any expectations of winning a Grammy. It wasn't something I was set on, that I was hoping and praying and starving for.
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I would love to do an electronic record. There's just so much to see and do and try. And life goes by.
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I came up in a time when Springsteen, the Stones, Dylan, and the Beatles were still dominant. For every magazine cover with a new band, there were five covers with one of those guys.
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I'm not good at the protocols of dating. laughs I'm not really experienced in that. My girlfriend is my second or third girlfriend. I think in the past none of us really knew when we were 'dating'-we were just hanging out and doing things. I didn't go to high school so I missed the prom.
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Being able to take musical ideas through every iteration is attractive to me. Granted, not everyone's going to want to listen to that, but it should exist.
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In recording, you're trying to make something work sonically - getting the right inflection on the right guitar sound - and maybe a part that would be musically great doesn't sound as cool. On paper, though, it's all stripped back. The musical idea is the one that wins.
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Every band I knew or played with had flyers and properly-recorded demos and contacts; I couldn't even get a gig.
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I don't need to cry so much. I think whatever you let loose with crying, I let loose with singing. I tend to be the one who wants... I'm trying to say this without sounding too touchy-feely. I'm usually the one who's better at comforting the person who's crying, you know?