Patrick Henry Quotes
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Quotes to Explore
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With the past, I have nothing to do; nor with the future. I live now.
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The fallacy of the neoclassicals is their tenet that total employment, though hit by shocks, can be said always to be heading back to some normal level.
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Unfortunately, there is still much to mine in this world and explore creatively.
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For most of my career, I've played roles that were written for other actresses.
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I think that a lot of people would perceive my style as being intimidating. And although I don't want to intimidate kids, I am very demanding.
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I want to see more Asians on TV. I want to see more faces like mine on TV.
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I would love to have been around in the Keystone Studios days.
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I think of a song in terms of lyrics and stories, and that's what keeps it country for me.
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Fiction connects: past and present; the great and the small; the surface with the depths. Fiction brings out the innermost, invisible springs of life that cannot be revealed in factual narratives.
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It's always fun to put on bell bottoms and have your butt hanging out and hip huggers.
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Poetry is a phantom script telling how rainbows are made and why they go away.
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I came to London. It had become the center of my world and I had worked hard to come to it. And I was lost.
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Mind is everything. Muscle - pieces of rubber. All that I am, I am because of my mind.
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Oh God, my choice of film has never depended on the hero. In fact, you will see that some of my categorical mistakes had nothing to do with the hero in it.
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I like talking to priests, to Catholics. Everyone has their beliefs.
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As a child, I had lived many years in Southampton and sang in the choir of the Dune Church.
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I think any actor in their right mind is afraid of getting pigeonholed.
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I think we respond well when we do something well.
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Playing this game, you cannot have nothing holding you back. If you're thinking, you're wrong automatically.
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I'm just giving you some spiel, the ludicrous plot of a novel, a story I invented to touch your heart—one-third bullshit, one-third booze, and one-third genuine tenderness, you know the kind of thing.
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When I see that the nineteenth century has crowned the idolatry of Art with the deification of Love, so that every poet is supposed to have pierced to the holy of holies when he has announced that Love is the Supreme, or the Enough, or the All, I feel that Art was safer in the hands of the most fanatical of Cromwell's major generals than it will be if ever it gets into mine.
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Our desire for beauty is likely to outlast its object because, as Kant once observed, unlike all other pleasures, the pleasure we take in beauty is inexhaustible. No matter how long beautiful things endure, they cannot out-endure our longing for them.
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The refined punishments of the spiritual mode are usually much more indecent and dangerous than a good smack.
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