Albert Einstein Quotes
Quotes to Explore
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When I show a film at a festival, I am showing myself. Everything is at stake for me.
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I've always been a narcissist.
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There was a mission: To match the cover of 'Extraordinary' to the cover of the paperback 'Impossible,' which was commercially successful. Consider the outdoor natural setting, the single girl in motion with her hair blowing, and the cursive font used for the title; both covers have these in common.
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The expectation was that 'True Confessions' would be my first published book, but that didn't happen. After it was rejected by every publisher in New York and Canada, I shoved it in a closet and went on to write and publish my next three books.
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I was supposed to be women's lib, and now I'd exceeded it and gone over into international politics.
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I'm not a materialistic person.
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See, it's no in between: you're either free or you're a slave.
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The older I get, the more I'm prepared to do things for the money.
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Our first album didn't work because we tried to be something we're not.
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When I feel off, I read the 'Tao Te Ching' to get my equilibrium right. I started reading it in the eleventh grade.
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It's a songwriter's dream to have a song recorded and run up the charts.
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I don't think that sin and pursuing happiness are not necessarily the same thing.
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My singing led into acting, and that is how I discovered acting.
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A great fig should look like it's just about to burst its skin. When squeezed lightly it should give a little and not spring back. It must be almost unctuously sweet, soft and wet.
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Whoever uplifts civilization is rich though he die penniless, and future generations will erect his monument.
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In terms of aesthetics, I probably look better than I did when I played.
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For all the things that make Chicago great, for all the things that make us proud to call ourselves Chicagoans, the violence that is happening corrodes our core. It is not the Chicago we know and love.
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The general root of superstition is that men observe when things hit, and not when they miss, and commit to memory the one, and pass over the other.
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It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.
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And so that means..." "We have to rob the Henley," Simon said. Kat sank onto a truly uncomfortable sofa. "Again.
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anybody who drinks seriously is poor: so poor, poor, extra poor, me.
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We Jews have no other means of self-defense than our solidarity.
