Laeta Kalogridis Quotes
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I'm a geek! I'm a fan girl; I'm very proud of that. Get me near Orlando Jones, it will not be pretty.
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The world that we live in isn't uniform-looking, and the future that we're headed toward isn't uniform-looking.
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There was a brief period in college where I flirted with the idea of becoming a lawyer because my father was one. But I was cured of it rather swiftly.
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The range of my interests in science fiction - it really does run a gamut.
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Margaret Atwood and Ursula K. Le Guin were the biggest inspirations for my work because they trod into areas considered to be owned by male writers and created these worlds that are infused with an understanding of so much more than just technology.
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All the science fiction I loved as a kid was holding up a mirror to society and warning us about the need for course correction.
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On one hand, my gender has never been an issue. The issue has always been what's on the page. But the reality is, an awful lot of women fought an awful lot of battles to get me to that place.
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This kind of art - the dystopic future kind of art - is designed to make you uncomfortable.
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Like a lot of people, I sold my first script in graduate school at UCLA, a 'Joan of Arc' for producer Joel Silver.
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I've taken a number of creative leaps, and some of them worked, and some of them didn't, but I don't regret any of them because you can't possibly get to the ones that work without the ones that don't.
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There are certain expectations placed on writers if other people have put a value on their gender. I'm aware of the hundreds of tiny differences that happen when people are seeing your gender before they see something else.
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My favorite Asimov works were the 'Foundation' books because the concept, at the time, was crazy, but psycho-history has now turned out to be an actual real thing. You can predict the actions of large groups of people once you understand, for lack of a better way to put it, their way of existing and their prejudices.
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When you haven't met someone, regardless of whether they're an author or not, when you're taking their work, and you are in some way filtering it or interpreting it, of course there's potential for them to feel that you have, in some way, not lived up to what it could have been.
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All of us in the modern world are constructing our identities, largely through social media, for a larger audience.
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Honestly, I would never say, 'Oh, I've decided not to read 'The Left Hand of Darkness' because I've seen 'Blade Runner.' I've decided not to read 'Neuromancer' because I've seen 'Blade Runner.''
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To be a working writer is the holy grail, where you don't have three other jobs on top of that.
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For years, I have been inspired by the inventive and masterful storytelling of the 'SAO' franchise. I'm thrilled to get the opportunity to work with such talented partners to bring this cutting-edge yet timeless story to a new format at Skydance.
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Don't worry about what happens when things go wrong; just accept that they're going to, and figure out how do you want to cope with it when it does.
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'The Handmaid's Tale' is not a book or show advocating enslaving women or creating a theocracy. It's not glorifying that. It's talking about what happens if that happens.
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It's always fair to criticize, to question, to engage about things like whitewashing and violence against women and choices of lack of diversity. All those things are really, really a good thing to talk about.
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I just never count on anything. You can't.
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One of my favorite stories is, I got fired off 'Bionic Woman' in part because I was told that I don't know how to write women, and they promptly replaced me with a guy. What I find lovely about the story is how unaware the white dude who said that to me was when he said it.
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When I was a kid, my grandparents were Greek immigrants on my father's side. My grandfather used to read me Greek myths, in which there are a great many goddesses and stories of strong women. And I was entranced by them. Then I started reading science fiction very young, and I loved it.
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Our worst instincts as human beings have to do with our carelessness with natural resources, and when the body itself becomes just one more of those resources, how will we treat it? Will we treat it with such indifference and with such depersonalization that it becomes more like a very fancy car than a repository of the self?