Anais Nin Quotes
If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.
Quotes to Explore
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As regards literary culture, it fascinates me that it has been so resilient to the Union. For example, when T.S. Eliot wanted to become poet in these lands, it wasn't as an English poet, it was an Anglian poet he wanted to be.
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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We need to find the courage to say no to the things and people that are not serving us if we want to rediscover ourselves and live our lives with authenticity.
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Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.
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I am just doing photo shoots. It's not something that extraordinary. I'm not a great artist, I'm not writing books, I'm not a painter, and people in the streets ask me for a picture or a note, and I say, 'Why?'
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There are works of literature whose influence is strong but indirect because it is mediated through the whole of the culture rather than immediately through imitation. Wordsworth is the case that comes to mind.
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Rap culture is interesting and different and has purpose but it has a non-romantic view of life and of social feelings. There may be a void in that.
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I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot of times, I'm wrong, but it's always the hope.
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We live in a culture that's been hijacked by the management consultant ethos. We want everything boiled down to a Power Point slide. We want metrics and 'show me the numbers.' That runs counter to the immensely complex nature of so many social, economic and political problems. You cannot devise an algorithm to fix them.
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Sometimes writing a novel is not unlike having a baby. You'd have to ask a female novelist to compare the pain.
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
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Our forefathers used to live longer and healthy lives.
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In order to be universal, you have to be rooted in your own culture.
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I think that one possible definition of our modern culture is that it is one in which nine-tenths of our intellectuals can't read any poetry.
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The morning is always my best time of the day for writing because that's when my head is best.
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When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
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However far fiction writers stray from their own lives and experiences - and I stray pretty far from mine - I think, ultimately, that we may be writing what we need to write in some way, albeit unconsciously.
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The separation of a childless couple is dramatic, but the separation of a couple with children is always tragic.
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I enjoy very much being in a foreign country, in a new country, new place. And I enjoy also beginning a new book. It's like being someone else.
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That's the joy of getting to be an actor - getting to play all kinds of different roles and showing so many different sides of yourself.
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I used to love a well-arranged room: the furniture, the fabric, the lighting.
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Toward the end of the '90s, it got pretty rough for me - a lot of emotional unrest and problems with my relationships. That affected my career.
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If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.
