Lamman Rucker Quotes
Quotes to Explore
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I stayed in the astronaut program until 1993. People ask me why I left. I thought I had a lot of things to contribute that would be difficult to do if I stayed. I thought I could have a stronger voice as an advocate for space exploration. So I ended up starting my own technology consulting company.
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(A Foreign Secretary) is forever poised between the cliche and the indiscretion.
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Wong Kar-wai and Ang Lee are two Asian directors I'm really fond of.
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All my books are optimistic!
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The mutated Marfan gene creates a defective version of fibrillin, a protein that provides structural support for soft tissues like blood vessels. Marfan victims often die young, in fact, after their aortas grow threadbare and rupture.
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Many are the names of God and infinite the forms through which He may be approached.
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Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to reality, but not reality itself.
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This quality, I mean Geoffrey was with me, was very easy doing - he loved me very much, I loved him very much, and we understood each other so well that it was a pleasure to make music.
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You are about to have your first experience with a Greek lunch. I will kill you if you pretend to like it.
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For many decades, Myanmar was on the receiving end of very public diplomatic scoldings, often backed up by sanctions.
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Christine Bass was my high school music teacher. She took a program on its last legs and within a few years turned into one of the best programs in the country. Our high school dominated national choir competitions all through her 20-plus year tenure.
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I graduated from the University of Oklahoma, and I got the opportunity to take some on-camera classes while I was in school and met a casting director who informed me quite a bit before my move out to L.A.; it made L.A. feel possible, coming from Oklahoma and not having a family that was in the industry.
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The way I look at it you can always get better.
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Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
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It's not like my old self – I'm not in character anymore, I'm me. I'm not hiding behind that anymore.
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I'm my own artist, and I see artists as movies. No one should try to change them for anything. If you don't like it, you just don't follow it. And if you don't like a movie you don't watch it. Watch another movie.
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Put the uncommon effort into the common task... make it large by doing it in a great way.
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I don't like the bullying, do-one-over style of comedy. It's so cheap.
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The image that comes to mind when I think of 'Nip/Tuck,' is I literally picture a nail just getting driven through wood. You know what I mean? Just getting absolutely bashed through a two by four.
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In 1990, my wife and I were married in her village in southwestern Uganda. The festivities went on for three days, and all the while a couple of dozen gray-crowned cranes, with regal bonnets of sun-shot yellow feathers, were pecking and padding around in the adjacent savanna.
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That's a blessing in disguise because they left a big void in their genre of music and that's opened a little hole for us to fit in there
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I'm a game designer, so I care about the whole experience.
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I don't go to shows because I just want to listen to the music performed live. I want to get to know the person who's performing it. Or I want to, like, take away a sense that I had an experience that nobody else is going to have again, or a unique experience for that moment.
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It's always a wonderful experience to keep working.
