Ansel Adams Quotes
To visualize an image (in whole or in part) is to see clearly in the mind prior to exposure, a continuous projection from composing the image through the final print.
Quotes to Explore
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I've never met anyone that is their image.
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It's easier to release an ebook than a print book.
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I am concerned if 25 percent of Americans think that President Obama is a Muslim. I mean, it's obviously a lack of knowledge. But also, it's for the Muslims as well, you know, because a small numbers of Muslims have really painted a very negative image of Islam.
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I have never thought about creating an image for myself in Bollywood. I am an actor and just want to experiment with roles. I am ready to do all type of roles.
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I visualize things in my mind before I have to do them. It's like having a mental workshop.
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The image I had was that Oprah books were fluffy.
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Beauty itself is but the sensible image of the Infinite.
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I never say never about a lot of things. Whatever you want, then more power to you. If someone feels they have to live up to a certain image, then I can kind of understand that pressure because I'm considered to be one of those images, and I know how unreal they are.
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The poetic image is a sudden salience on the surface of the psyche.
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What I do is whatever it takes, it takes. Sometimes you see a scene right away and a take looks great so you might print that and you might print a couple more and take elements of all three. It just depends. You're looking for the highlights. You're looking for the best elements of the scene, but preferably you'd like to have one good take that would go all the way through.
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Divorce doesn't fit my cookie-cutter image.
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An image means nothing. It is just a door, leading to the next door. It will never happen that we will find the truth we are looking for just in an image; it will happen behind the last door that the spectator discovers the truth, because of his own efforts.
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One of the differences between now and then is that the idea of body image is a much bigger issue now. Back then, just being kind of heavy and barrel-chested passed for heroic. Now, you wouldn't dare to play a hero without a lot of dieting and various specialised abdomen machines. But that was one of the things which was interesting about it and I did want to portray because there's good and bad.
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Every single work of art is the fulfillment of a prophecy; for every work of art is the conversion of an idea into an image.
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(When thinking about the Ruth character) I have a terrible image in my mind of a cow going to slaughter. There's not a lot of fight in them. Pigs, they'd squeal and thrash around. They'd fight. It's almost as if cows don't know they have a choice. Not that they don't panic, but they do so in a quiet way.
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No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.
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In a way, film and television are in the same sort of traumatic trance that print journalism is. The technology has outpaced our comprehension of its implications.
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Aggression against life and property can only damage the image of a peaceful Islam.
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Solon used to say that speech was the image of actions; . . . that laws were like cobwebs, - for that if any trifling or powerless thing fell into them, they held it fast; while if it were something weightier, it broke through them and was off.
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It's very rare that you get to play a character over the course of so many films. Bella meant a lot to me and she will always be such a formative event in my career. I grew up with her and she and I have been on this great journey together. I also see many parallels between her evolution and my own because I lived through so many things along the way while playing Bella and having this connection to so many people involved in making the films over the years. It would be impossible for me to separate my world from Bella's.
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Sinatra’s idea of paradise is a place where there are plenty of women and no newspapermen. He doesn’t know it, but he’d be better off if it were the other way around.
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To visualize an image (in whole or in part) is to see clearly in the mind prior to exposure, a continuous projection from composing the image through the final print.
