Al Pacino Quotes
You don't get to know anybody in a movie until after it's over. You work less together in a film than you do onstage.

Quotes to Explore
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
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When I write a movie, I write it for me.
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Sofia Coppola is wonderful, and I'd love to work with her.
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People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.
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I got to work with legendary director Garry Marshall.
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Modi is an excellent orator - sure, anybody who spouts untruths is an excellent orator.
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It is not true that people are naturally equal for no two people can be together for even a half an hour without one acquiring an evident superiority over the other.
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I'd rather have one good scene in a movie by a great director than a small role in a mediocre movie.
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I would love to do a 'Scream'-type movie.
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In every movie I do have a dialogue.
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As an actor, I've always wanted to do characters that would help me find my connection with others and connect all of us together. You always want the energy of the character, the spirit of the person, to enter you. I've been doing this for 26 years and some of the things I've done are always with me.
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Suits are looked at more now as a business thing which is kind of a shame. If you're not wearing it just for work, you should try and trick it up a bit.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I'd never put all my chips anywhere, because I don't want to close any doors, but I was raised in a very blue-collar family. I was raised by parents who said, 'If you don't go to work every day, you're not contributing', so that's my mentality. I have to work every day; I have to bring home a paycheck.
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When you spend a lot of money on one player, you want him to prove himself, but the way football works, one day you can be good, the next you can be bad, and the next after that, you can be very bad. I have come to Manchester City to work very hard and to help my friends make Manchester City great.
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I work out, I go to pilates, I walk and I eat everything I can get my hands on.
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If you are playing someone living, it is a different type of judgment. However much work you do, it is not a documentary. There will be things you can't get right, and ultimately, you have to take a leap because - you weren't there.
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The touring was crazy, it was a lot of work. But I enjoyed it.
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I want to look at life - at the commonplaces of existence - as if we had just turned a corner and run into it for the first time.
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I am a refugee: my parents fled Chile under Pinochet in 1976 when I was 9 months old, and my parents were able to start from nothing and make lives for themselves in the United States.
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With 'City of Black & White,' I wanted a record that would make you feel good, that would sort of take you up in its hand and sweep you along.
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To describe Peter Thiel as simply a libertarian wildly understates the case. His belief system is based on unapologetic selfishness and economic Darwinism.
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You don't get to know anybody in a movie until after it's over. You work less together in a film than you do onstage.