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I’ve always been in the theater. I’ve always gone to it. That’s been my way to cope. Early on in my career, I remember running - fleeing - to the theater as a way of coping with all the meshugaas that was going on for me.
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A kiss is a lusty dollop of dessert to be served with desire and savored with passion.
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Any project that I find encouraging that isn't attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
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That's the way to live - around people who care. It may be a tough ride, but something is going to come out of it.
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Sometimes the only way you can get an audience is at an audition.
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Be careful how you judge people, most of all friends. You don't sum up a man's life in one moment.
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It was a compromise. There was a sense that I could write my own memoirs, and Larry [Grobel] would help me down the line, or maybe not, maybe he was too close to me.
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Whether he's doing great acting or not, you're seeing somebody who is in the tradition of a great actor. What he does with it, that's something else, but he's got it all. The talent, the instrument is there, that's why he has endured.
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I can see [ talent or curiosity for acting] in my oldest daughter [Julia Marie Pacino]. I don't know how long she'll run away from it, but it's there in her.
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[Salomaybe] is my presentation, my vision of the world. Not so much to satisfy the audience at large.
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That's where humour lives for me. In the body. The Steve Martin kind of stuff or Jim Carrey, that's what I like. I've always felt that's what I would like to do.
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When I was doing 'Scarface,' I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time. I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.
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I'm an actor, and everything about me - the way I perceive things, the way I have seen the world - has been in relation to characters and how I would want to play something or not play it.
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All I am is what I'm going after.
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There has been a lot of self-doubt and unwelcome events in my life.
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I don't like what's going on in Iraq, naturally. I'm part of a large majority of people who don't, but I do not know the whole story. I do not believe what I see on television. I believe a percentage of it, so it's hard for me to discern. I don't like what it's doing to the world.
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Larry Grobel has the illness of all writers, he can't help himself. You're talking to him and all of a sudden, you say, "He's puttin' that in his cash register!"
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There was a time in my life when being dishonest with women was the natural way to be. I finally said, "Hey, I have to stop this silliness."
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I was never very happy with performing; it didn't turn me on much.
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The hardest thing about being famous is that people are always nice to you. You're in a conversation and everybody's agreeing with what you're saying - even if you say something totally crazy. You need people who can tell you what you don't want to hear.
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The problem with me is, I guess, the way I express myself, you have to be with me 50 years before you can get a sense of what I'm talking about.
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To be really obvious about something, if somebody straps an M1 on your shoulder and throws you in Iraq, you're going to get a sense of what the hell's going on there. Boy, you'll wake up fast when bullets are flying over your head.
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When you perform with a live audience, the audience comes back to you, so that you and the audience are giving to each other, in a sense. It's an extraordinary thing. It's wild turf up there.
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I don’t understand the hatred and fear of gays and bisexuals and lesbians… it’s a concept I honestly cannot grasp. To me, it’s not who you love… a man, a woman, what have you… it’s the fact that you love. That is all that truly matters.