Al Sharpton Quotes
But we believed if we kept on working, if we kept on marching, if we kept on voting, if we kept on believing, we would make America beautiful for everybody.
Quotes to Explore
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I interviewed Johnny Knoxville once. I was kind of scared to interview him because I thought he might be a real jerk, but he was really nice, and I ripped his chest hair out.
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I would love to have been around in the Keystone Studios days.
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I am not a 'defender' of the September 11 attacks, but simply pointing out that if U.S. foreign policy results in massive death and destruction abroad, we cannot feign innocence when some of that destruction is returned.
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The music I love listening to is more of the Jack Johnson, Ben Harper, Dido, Jewel, Nora Jones, Joss Stone, a bit more of that organic live-instrumentation feel.
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News has become entertainment. Once that happens, a whole series of horrific events start to happen, whether it's the lack of dissemination of something that can inform you or something that actually negatively impacts society.
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We begin to see, therefore, the importance of selecting our environment with the greatest of care, because environment is the mental feeding ground out of which the food that goes into our minds is extracted.
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When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older.
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Ice cream was my undoing, and six chocolate milk shakes in a row were nothing to me at one time.
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I knew my destiny was to be in the winner's circle. There were times along the way where I didn't make it there. But I felt my destiny was definitely to win big titles, win lots of titles.
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I believed or thought I was disoriented and the victim of a bizarre dream and I believe I paced in and out of the room and possibly into one of the other rooms. I may have re-examined her, finally believing that this was true.
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I have a tendency to think that when you portray baddies in movies, they come out more human than good guys.
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When you write for a comic series, many superheroes have 60 or some years of history that you are coming into.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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I love being a part of something so many people can relate to and enjoy.
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My quality of life here in Quebec City is extraordinary.
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Did I shop Kmart for clothing? No, I didn't. But I loved that I could be totally involved in the hangtags, the buttons, the commercials and with the designers. Something in my head said 'Yes.' I was adventurous.
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If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.
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As we've learned in 1941, national emergencies can create strange bedfellows.
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Any talk of 'craft' makes me laugh. My music looks outward; it does not gaze upon itself in admiration. Artisanal is for cheesemakers. I don't know anything about music theory. Every time I approach my guitar, it's like the first time. There's no craft in that.
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We have to have somebody that will express conservative views, of course, and I'm looking for somebody that is very Reaganesque. Someone that can reach all aspects of our voting population here in America.
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No one gave me a recipe for how to create company culture. I wish I had had one.
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The work of the individual still remains the spark that moves mankind ahead even more than teamwork.
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I am one of the few actresses who isn't recognized by the way she looks. I'm recognized by the way I talk.
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But we believed if we kept on working, if we kept on marching, if we kept on voting, if we kept on believing, we would make America beautiful for everybody.
