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I always wanted to play a cowboy. I just didn't get to do it the way I thought I would.
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I have this unshakeable faith. I believe in myself; I believe in God.
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I don't think Othello is a jealous man - he is a man who has been deceived by another person, just as everybody in the play is deceived by that person... The playwright uses the word 'jealousy' over and over and over again, but I don't think it has anything to do with being jealous.
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My company, Cinema Gypsy, produced a podcast, 'Bronzeville,' in conjunction with Larenz Tate and his brothers that we're developing into a television show. It deals with a very tight-knit African-American community in Chicago in 1947 and people who run a numbers wheel.
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We don't really see a lot of war movies about the people that are left behind, dealing with the deaths of those who serve and the sacrifices they make.
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I didn't have much of a childhood, but that's O.K. I have a livelihood.
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You can't be bad when you're working with a kid. They have the instincts that all great actors have.
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It's nice to get the feedback from a theater audience. It's a gas.
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I ain't afraid of germs, man. And I ain't afraid of getting sick.
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I've played a lot of bad guys, 'cause that was the only work I could get. People saw my face and went 'oooh'.
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I was in a movie with Marlon Brando. Now, I didn't have any scenes with Marlon Brando, but I had scenes with Martin Sheen and was around Dennis Hopper, who was a child actor in the studio system and was enamored of James Dean, as was Martin, and they were all sort of disciples of Brando.
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It's my luck that I was born a bit of an old soul, and it's served me well.
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I have heard a lot of people talk about this grind of series television. I have not seen it yet.
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I have taken care of my gift, and because I've taken care of my gift, I feel like I've been continually and constantly blessed to get to do wonderful things.
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I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
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I think there's going to be many special episodes of 'Blackish.'
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I don't believe in acting teachers for me, so it's God's joke that he gave me a best friend who's an acting teacher.
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I think of myself as being a relatively intelligent man who is open to a lot of different things and I think that questioning our purpose in life and the meaning of existence is something that we all go through at some point.
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I didn't want to be a big star. I wanted to be a really good actor.
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As a man of colour, I've spent my life asking people to see me for who I am. With Obama in the White House, it feels like people have finally caught up to where I've been most of my life.
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I love the opportunity to use my full range, and so playing in the comedy 'Black-ish' gives me the opportunity to show my lighter side, and playing in this beautiful, elegant horror story of 'Hannibal,' I get to use my darker and more cerebral side. It's really wonderful.
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After 'Othello,' it was, like, 'I can stop acting. I have played one of the great characters in the English language. I feel I have played him well and honorably. I have nothing to prove anymore.'
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I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.
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Some people think of me as an actor and some as a movie star, so I sort of guess that makes me both. I love making movies, and I love playing on the stage.