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I always wanted to play a cowboy. I just didn't get to do it the way I thought I would.
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I didn't have much of a childhood, but that's O.K. I have a livelihood.
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I don't think Othello is a jealous man - he is a man who has been deceived by another person, just as everybody in the play is deceived by that person... The playwright uses the word 'jealousy' over and over and over again, but I don't think it has anything to do with being jealous.
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I've been around long enough now and have learned to be flexible enough to know that every movie isn't going to be 'Apocalypse Now,' and every director doesn't have to be Stanley Kubrick.
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Anytime we're talking about Thurgood Marshall, that's a good thing, I think, because it gives us an opportunity to go back, look at the history, and recognize what his contributions were.
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We don't really see a lot of war movies about the people that are left behind, dealing with the deaths of those who serve and the sacrifices they make.
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I've played a lot of bad guys, 'cause that was the only work I could get. People saw my face and went 'oooh'.
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I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
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I don't believe in acting teachers for me, so it's God's joke that he gave me a best friend who's an acting teacher.
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I was in a movie with Marlon Brando. Now, I didn't have any scenes with Marlon Brando, but I had scenes with Martin Sheen and was around Dennis Hopper, who was a child actor in the studio system and was enamored of James Dean, as was Martin, and they were all sort of disciples of Brando.
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I ain't afraid of germs, man. And I ain't afraid of getting sick.
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I think there's going to be many special episodes of 'Blackish.'
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As a man of colour, I've spent my life asking people to see me for who I am. With Obama in the White House, it feels like people have finally caught up to where I've been most of my life.
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I love the opportunity to use my full range, and so playing in the comedy 'Black-ish' gives me the opportunity to show my lighter side, and playing in this beautiful, elegant horror story of 'Hannibal,' I get to use my darker and more cerebral side. It's really wonderful.
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It's very difficult to set a film in one setting without giving the audience some intensity and some relief.
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You can't be bad when you're working with a kid. They have the instincts that all great actors have.
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It's my luck that I was born a bit of an old soul, and it's served me well.
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I have heard a lot of people talk about this grind of series television. I have not seen it yet.
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I didn't want to be a big star. I wanted to be a really good actor.
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I have taken care of my gift, and because I've taken care of my gift, I feel like I've been continually and constantly blessed to get to do wonderful things.
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What I continue to learn as a parent is to be mindful of the fact that I am responsible for being the parent that my children need me to be and not necessarily the parent I want to be.
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When I think of Othello, I think of a poet-warrior. Let me say that again - a romantic warrior. And I think I have those qualities in common with him.
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It's nice to get the feedback from a theater audience. It's a gas.
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I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.