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In order to be the best version of yourself, you have to dedicate time, effort, and support to other people who need it.
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I carry a lot of feminine energy as well as masculine energy, and that's the hit that people are getting. That vulnerable thing is not what we assume with black males. You get it, and then they cease to become scary. They become human. You cease to have a bogeyman.
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A smart black guy is confronting for most people. But that's on them, not on me.
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Doing 'CSI: N.Y.' is not 'CSI.' Doing 'CSI: Miami' is not 'CSI: N.Y.,' it's 'CSI: Miami.' It has a very, very specific tone. It has a very specific look. It has a specific way in which they tell their stories that's different from 'CSI: N.Y.' and 'CSI.'
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I try to stay in shape a little bit, but I don't obsess about it.
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It's important for a lot of young black males to value swagger over intelligence. Swagger is important, but intelligence must come before the swagger.
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I'm not dyeing my hair and trying to pretend I'm 40. That's not going to work for me.
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I don't necessarily go out and try to do something that's going to be just something that will please the audience. I'm not interested in doing something where I get the most people to come see the movie at the same time and they get the biggest explosion. I'm not interested in that.
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If you're playing a real person, then you want to do a certain amount of research, but that's only going to be so useful to you. Each role requires a different kind of approach to get ready.
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When I was ten, I did a play at the Henry Street Settlement Playhouse, Charles Fuller's first play. He went on to write 'A Soldier's Story,' among other things. I realized, 'Oh, I can be anything doing this.'
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I think everyone is very surprised at how 'Matrix' has become the pop culture phenomenon that it is.
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On a motorcycle, you can't really think about more than where you are. There's a freedom that comes with that - from stress, worry, sweating the small stuff.
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Do mainstream crowds want to watch a movie about good things happening in black neighborhoods? Do black audiences want to see a little girl doing something in a white world?
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Obviously, after 'The Matrix,' it was a case of, 'OK, I did that. What's next?' I mean, it's always like that, but more so this time. How do I change it up? How do I keep it interesting for myself?
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All I know is, I'm trying to do things that are a little different whenever I can.
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My mother is quite a woman. She would push me, and when I got tired of her pushing, I'd say: 'Leave me alone. Don't push so much.'
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Acting is a childlike thing. To act well, you have to be childlike in order to free yourself.
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I certainly believe that being in contact with one's spirit and nurturing one's spirit is as important as nurturing one's body and mind. We are three dimensional beings: body, mind, spirit.
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Most of us are afraid of our success, that we will actually be great.
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Some characters need to be more performance-orientated; some, you have to be still.
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As an actor, Coppola trained me. That was my training ground.
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There's great theatre in New York City, but no New York City in theatre.
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John Wick is not a guy that asks for help, so when he goes to somebody for help, whoever that is, you know he's a serious cat.
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Philanthropic work reminds you of everyone's common humanity, and that's really the common denominator for everyone.