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Doing 'CSI: N.Y.' is not 'CSI.' Doing 'CSI: Miami' is not 'CSI: N.Y.,' it's 'CSI: Miami.' It has a very, very specific tone. It has a very specific look. It has a specific way in which they tell their stories that's different from 'CSI: N.Y.' and 'CSI.'
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I try to stay in shape a little bit, but I don't obsess about it.
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I can't imagine not coming back to the theater. It's where I started.
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In order to be the best version of yourself, you have to dedicate time, effort, and support to other people who need it.
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I'm not dyeing my hair and trying to pretend I'm 40. That's not going to work for me.
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I carry a lot of feminine energy as well as masculine energy, and that's the hit that people are getting. That vulnerable thing is not what we assume with black males. You get it, and then they cease to become scary. They become human. You cease to have a bogeyman.
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A smart black guy is confronting for most people. But that's on them, not on me.
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If you're playing a real person, then you want to do a certain amount of research, but that's only going to be so useful to you. Each role requires a different kind of approach to get ready.
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It's important for a lot of young black males to value swagger over intelligence. Swagger is important, but intelligence must come before the swagger.
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Do mainstream crowds want to watch a movie about good things happening in black neighborhoods? Do black audiences want to see a little girl doing something in a white world?
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Projects don't need to be special for me to sign up, but I do need them to have something that speaks to me in some way.
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Obviously, after 'The Matrix,' it was a case of, 'OK, I did that. What's next?' I mean, it's always like that, but more so this time. How do I change it up? How do I keep it interesting for myself?
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I don't necessarily go out and try to do something that's going to be just something that will please the audience. I'm not interested in doing something where I get the most people to come see the movie at the same time and they get the biggest explosion. I'm not interested in that.
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My mother is quite a woman. She would push me, and when I got tired of her pushing, I'd say: 'Leave me alone. Don't push so much.'
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There's a lot of stuff that's not good that's touted as being good.
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On a motorcycle, you can't really think about more than where you are. There's a freedom that comes with that - from stress, worry, sweating the small stuff.
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Anytime we're talking about Thurgood Marshall, that's a good thing, I think, because it gives us an opportunity to go back, look at the history, and recognize what his contributions were.
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We are three dimensional beings: body, mind, spirit.
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When I was ten, I did a play at the Henry Street Settlement Playhouse, Charles Fuller's first play. He went on to write 'A Soldier's Story,' among other things. I realized, 'Oh, I can be anything doing this.'
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All I know is, I'm trying to do things that are a little different whenever I can.
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Acting is a childlike thing. To act well, you have to be childlike in order to free yourself.
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John Wick is not a guy that asks for help, so when he goes to somebody for help, whoever that is, you know he's a serious cat.
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There's great theatre in New York City, but no New York City in theatre.
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I think everyone is very surprised at how 'Matrix' has become the pop culture phenomenon that it is.