Laurie Anderson Quotes
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What happens when you're in a crash is you join a crash club, and you talk endlessly about your crash because you don't want to bore your friends with it. And they've heard about the crash so many times.
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Not many people care what you do. They care about what you do as much as you care about what they do. Think about it. Just exactly that much. You are not the center of the universe.
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A lot of artists who have a certain style are expected to more or less keep doing their style. It's so easy to get into that rut of production.
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I think artists who are attracted to working on the Net will adjust their work to the capabilities of a very small screen.
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As an artist I'd choose the thing that's beautiful more than the one that's true.
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I always wonder when people have any kind of spiritual and meditative practice especially if it's one designed in part to help them cope with things that seem unmanageable and to cope with something like death, if they're able to maintain that practice and maintain the equanimity at the time of death whether it's, you know, that person's or that person's loved one.
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I'm actually not someone who believes in heaven or anything like that.
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When you follow your thoughts and watch them attach to certain things, it makes certain things real and other things unreal, and you realize that this is all created by your mind.
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You can do great things with low-tech stuff.
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Computers are so deeply stupid. What bother me most when they talk about technology is they don't realize how much more exciting their minds are. That machine is stupid. And boring. It does just a few things and then it'll crash. People think, 'I am on the Net, I am in touch with the world'. Wrong! The point is how we work, not how machines work.
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Besides all those whaling details, Moby Dick is about someone who's looking for something so huge, something they've wanted all their life, yet they know when they find it, it will kill them.
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I have written a few children's books. The first book that I wrote was for children. It was called "The Package", and it was a mystery story in pictures. It had no words.
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Writers want to summarize: What does this mean? What did we learn from this? That's a very 19th-century way of thinking about art, because it assumes that it should make our lives better or teach us something.
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Books are the way the dead talk to the living.
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There are plenty of ways you can play the game of fighting and really seem to be fighting without going for the jugular.
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If you're a young artist, wondering what to call yourself, consider 'multimedia artist.' It's so vague. Then, no one can say, 'Hey, how come you're a jazz person, and you're making a pop opera?
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No single person who has ever lived will be able to tell you what happens. Period. Nobody's right and nobody's wrong.
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I wanted to impress people because I was kind of a kid who was lost in the crowd - was sort of my, feeling about childhood was being part of a big family.
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Technology is the campfire around which we tell our stories.
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The audience creates its own personality, I've noticed, in the first five minutes. They will either be generous, funny, silly, withholding, academic, analytical, grudging. And I'm fascinated with how that gets constructed, because it happens right away.
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They say that Heaven is like TV... a perfect little world, that doesn't really need you.
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Why do you have to translate and decode things? Just let the image be. It will have a special kind of reality that it won't once it's decoded.
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My secret dream is to write an epic poem. That's probably the most pretentious thing I've said.
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People who were born alone are defined by feelings like "Who's gonna be with me when I die? Who will ever understand me? Will I always feel so alone? Maybe if I write a book..." and you forget that that doesn't help you so much.