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At the School of Visual Arts in New York, you can get your degree in Net art, which is really a fantastic way of thinking of theater in new ways.
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I really trust audiences as having excellent taste, for the most part.
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Writers want to summarize: What does this mean? What did we learn from this? That's a very 19th-century way of thinking about art, because it assumes that it should make our lives better or teach us something.
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Literature is the safe and traditional vehicle through which we learn about the world and pass on values from on generation to the next. Books save lives.
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As an artist I'd choose the thing that's beautiful more than the one that's true.
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You can do great things with low-tech stuff.
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Computers are so deeply stupid. What bother me most when they talk about technology is they don't realize how much more exciting their minds are. That machine is stupid. And boring. It does just a few things and then it'll crash. People think, 'I am on the Net, I am in touch with the world'. Wrong! The point is how we work, not how machines work.
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Long live the beauty that comes down and through and onto all of us.
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I have written a few children's books. The first book that I wrote was for children. It was called "The Package", and it was a mystery story in pictures. It had no words.
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There are plenty of ways you can play the game of fighting and really seem to be fighting without going for the jugular.
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Why do you have to translate and decode things? Just let the image be. It will have a special kind of reality that it won't once it's decoded.
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No single person who has ever lived will be able to tell you what happens. Period. Nobody's right and nobody's wrong.
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I'm an average enough person to point to the things I've gotten to see that are awe-inspiring.
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Life goes by so fast. It's really - and a lot of times things happen so fast you don't know - how should I react.
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I'm actually not someone who believes in heaven or anything like that.
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I've been trying to avoid goal-oriented behavior.
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Besides all those whaling details, Moby Dick is about someone who's looking for something so huge, something they've wanted all their life, yet they know when they find it, it will kill them.
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Audiences, whether they're seeing a film or a reading or whatever it is, a concert, they decide very quickly what kind of show it is, and then they judge it. They judge the rest of the thing by whether it conforms to their rules for what a good symphony orchestra would be.
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If you're a young artist, wondering what to call yourself, consider 'multimedia artist.' It's so vague. Then, no one can say, 'Hey, how come you're a jazz person, and you're making a pop opera?
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They say that Heaven is like TV... a perfect little world, that doesn't really need you.
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The audience creates its own personality, I've noticed, in the first five minutes. They will either be generous, funny, silly, withholding, academic, analytical, grudging. And I'm fascinated with how that gets constructed, because it happens right away.
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I wanted to impress people because I was kind of a kid who was lost in the crowd - was sort of my, feeling about childhood was being part of a big family.
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Technology is the campfire around which we tell our stories.
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When you meet a man who is broken, pick him up and carry him. When you meet a woman who’s broken, put her all into your arms. Cause we don’t know where we come from … we don’t know where we are.