Laurie Graham Quotes
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Childhood doesn't have to be perfect, and children don't have to be beautiful. From a bit of grit may grow a pearl, and if pearl production doesn't materialise, the outcome will still be preferable to the shallowness of vanity.
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As well as writing novels and doing short-order journalism, I am also the full-time carer of my husband, who has Alzheimer's. Each day feels like a race that must be run.
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I'm married to an American, so I guess that has changed my perspective on the subjects I can write about.
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My husband is stricken with dementia, and it's a trick of his condition that events and people from his past are more real to him than what happened five minutes ago.
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My mother was a fastidious and orderly homemaker. I was the messy but creative type. I picture her following behind me through life with a damp rag and an air of exasperation.
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My early novels were very understated and English. Fourteen years ago, I met and married my American husband, and as I learned more about his background and culture, I became interested in using American voices.
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My go-to author for knowing it all is Evelyn Waugh. 'A Handful of Dust' is as perfect as a book can get.
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My parents never told me I was beautiful, and for one very good reason. I wasn't. When your child is a tubby, bespectacled little oddity, as I was, it's important not to give them false expectations.
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I speak pretty fluent American, though I do so with a strong British accent, and I love America: The scale and the variety of it are astonishing to someone not born there, and I'm convinced that its energy and generosity have somehow rubbed off on me and affected my writing. For the better.
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Being eye candy always was a short-term career, and here's the reason. The world finds young women more attractive than old women because youthfulness signals fertility.
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My preferred style is to write in first person, so I always have to play around with possible narrator voices until I find something that works.
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Sorry, I don't do castles. I hate those winding turret stairs.
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I almost always use first person voice in my novels. It has its limitations, but it gives a sense of immediacy that's hard to create with an anonymous, all-seeing narrator.
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With Alzheimer's, recent memory is affected first. At the start, you count the memory loss in days, then hours - then in minutes. But there's also an insidious backward creep of deterioration.
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The word 'carer' makes me think of someone with a nylon overall and a long list of 'clients' to wash before she finishes her shift. A companion was something unique. A kind of live-in friend.
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Personally, my interest in social history ends around 1959, by which time I was an adolescent. I've always attributed this to my particular sensibilities. I like formality and elegance, and I'm fundamentally conservative.
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The wheels of publishing never slow down.
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It was the Victorians who covered the piano legs and drew a heavy curtain over what a lady got up to in her boudoir.
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I have an idea for a story, and if the idea is going to work, then one of the characters steps forward, and I hear her voice telling the story. This is what has happened with all the books I've written in the first person.
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People invade your space and offend your sensibilities because, to be plain, they couldn't care less about you.
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Once, every woman owned a small mirrored compact, and it was considered normal - sophisticated even - to flip it open to discreetly check for things like nose-glow or lipstick smudge.
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My research process doesn't vary much. I do a little reading to establish a timeline and decide how I'm going to approach the story.
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Characters develop as the book progresses, but any that start to bore me end up in the wastepaper basket. In real life, we may have to put up with tedious people, but not in novels.
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As one ages, eventually, no matter what regime you've followed, no matter how fiercely you've fought the fight, good health becomes harder to maintain. It may disappear overnight or simply dwindle, but with every year that passes, the odds shorten.