Laurieann Gibson Quotes
I'm born originally in Toronto, and I have what I call my 'Fame' story. I took a Greyhound bus and went to Alvin Ailey and received Dunham, Horton, Graham technique there, but I could never take my eyes off of Balanchine doing 'Nutcracker'; to me he's the best who ever did it.
Quotes to Explore
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In the eyes of many people, giving doesn't count unless it's completely selfless. In reality, though, giving isn't sustainable when it's completely selfless.
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Well, my type is obviously creative. Creative, with burning eyes and a pretty mouth.
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Anyone who has ever looked into the glazed eyes of a soldier dying on the battlefield will think hard before starting a war.
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One of my main weaknesses is a good movie. I'll just bawl my eyes out.
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I love all women. Women are sublime beings. I love all of it: their eyes, their noses, their bodies.
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One of my theories is that men love with their eyes; women love with their ears.
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Russia's assertiveness in global affairs is something I look upon with great concern, which we need to address with eyes wide open and a healthy degree of skepticism.
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We sometimes laugh from ear to ear, but it would be impossible for a smile to be wider than the distance between our eyes.
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There are two smells that I can recognize right away. The smell of the boxing ring and the smell of a garage. That's where I grew up. I can recognize these places with my eyes closed.
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The first thing I always look at on a girl is her eyes.
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What is a television apparatus to man, who has only to shut his eyes to see the most inaccessible regions of the seen and the never seen, who has only to imagine in order to pierce through walls and cause all the planetary Baghdads of his dreams to rise from the dust.
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When I was in high school I got involved in the fringe theater scene in Chicago, and I met some openly gay people. I could see that it got better, that they were happy and loved and supported. I saw with my own eyes that it got better.
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There was this girl who went to my school, and she did a Nikki Giovanni poem, 'Ego Tripping,' and it was just different from everyone else's. It wasn't flat recitation. It had an energy and a life to it. And it made me sit up in my seat, and my eyes got wide, and I really felt inside myself, 'She's making me feel things. I want to do that.'
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I tried putting teabags under my eyes because they say that the green tea - the caffeine - will help with under-eye bags and moisture. It worked! That's a new tip.
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Although I do not have a family, I have eyes, ears and imagination, and know, as most people know, that the importance of one's children is paramount.
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I was raised to sense what someone wanted me to be and be that kind of person. It took me a long time not to judge myself through someone else's eyes.
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I'm trying to convey to my audience that you really can't judge a book by its cover, and there's more to the universe than you can see with your eyes.
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When you play a character, you get to see the world through their eyes. Whether it's a fictional world or a real world, you do get to see somebody else's point of view, whether he's a good guy or a bad guy.
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I think there is a hunger for things that wake you up, something that makes you peel back your eyes, that reminds you that you are alive. Art is at its best when it is in the 'now.'
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Fighting is kind of like choreography. It's not just get in there and punching someone: you have to have choreography. Someone is going to hit high; someone is going to hit at the bottom.
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Faith is a gift-but you can ask for it.
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I'm born originally in Toronto, and I have what I call my 'Fame' story. I took a Greyhound bus and went to Alvin Ailey and received Dunham, Horton, Graham technique there, but I could never take my eyes off of Balanchine doing 'Nutcracker'; to me he's the best who ever did it.
