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It's not any desire on my part to start playing dads, but it's a convention of drama. If you don't get the parts of young people going out to nightclubs, you have to play their fathers.
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I'm not usually attracted to big-budget American films.
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That's what I like about Neil Jordan's films: everyone is better at what they do than you are.
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I've only used my own voice about four times on film.
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Well, put it like this, if you're not a kid, you're a wizard.
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I hate auditions - when I'm doing them, I can't wait to get out the bleeding door.
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Most good roles are written for young men. We are fixated on youth. So however much people say there is nothing wrong with being bald, the reality is once the hair is gone, you might not get the parts.
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I need something to do when I'm not working, or I crawl up the walls. So I've just taken up kung fu. I was looking for some kind of calming, relaxing activity. I tried yoga, but it wasn't really me.
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When you get to 15 and most of your teachers are priests, there's bound to be a conflict.
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Everyone should be good at what they do.
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I was relatively technically adept. I can edit and wire up a light.
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I'm belligerent rather than ambitious.
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My philosophy was, if I just do good work, someone will like it enough to employ me. It never made me famous. And I'm way, way too old now, mate. That boat's sailed.
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Not being able to work would make me very unhappy.
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Even before my audition, there were several pages missing from my script because those bits were so unbelievably secret not even I was allowed to see them.
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I just want to be rich and famous.
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We tend to think about fascism in terms of the Second World War.
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I'm still working, I've got two arms, two legs, two gorgeous kids, a lovely wife. Fifteen years ago, I was homeless. So when you think about it, I'm lucky.
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I don't know how to construct a career that'll make me famous. Except maybe get my ears pinned back, get my teeth done, and go to America. But then I'll be competing with billions of actors who haven't got false teeth, and who are 25.
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There's a statistical theory that if you gave a million monkeys typewriters and set them to work, they'd eventually come up with the complete works of Shakespeare. Thanks to the Internet, we now know this isn't true.