Leah Remini Quotes
Quotes to Explore
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If you interact with anyone, ultimately, all people are the same. However they're dressed, when you're in the house with a person, they're going to be a regular human being.
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The law of sacrifice is uniform throughout the world. To be effective it demands the sacrifice of the bravest and the most spotless.
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One of the banners I would put up in front of any American president and new administration is 'Do not overreact to your predecessors' policies.'
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What keeps me up at night is poverty and unemployment.
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I really hate the term 'historical novel' - it reminds me of bodice-rippers. But I'm hooked on research, and I really, really enjoy it.
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If our country is serious about reducing our dependency on foreign oil, we need to get serious about mobilizing the infrastructure necessary to distribute and dispense the next generation of fuels.
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I've always dreamed of having a large family.
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The stakes are high on every film now because there's the opening weekend. The first week is extremely crucial; increasingly, films are being judged in terms of opening day, opening weekend, then first week. People are going berserk promoting their films.
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The dove act? I'm still working on it. I don't think it's perfect yet. I got my first pair of doves when I was 14 years old. That was the beginning of the formation of that act. So it's been 24 years now that I've been working on it.
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PETA's campaign should be included in school curricula. If we can open children's hearts and minds to animals' needs, teach them to treat a dog or a chicken as if they feel fear and love and pain - as they do - then they will grow up to understand that we are all worthy of respect.
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I've had much nastier things said about me in the British press than in the Bosnian press.
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Mike Leigh taught me about making choices - as an actor, you choose between being honest and clever, and with Mike, it's always about being honest. I learned how to behave on a film set from Jim Broadbent. He was a great example of someone with a fantastic career who kept his feet on the ground.
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And a third thing is the understanding of the Church as a community, a communion which is just a hierarchy but the people of God, whose servants are the priests and bishops.
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I'm trying to make perfect moments. And those generate meaning. If you go deep enough in how to make a moment, very quickly you come to how narrative works - to what we are as a species, how we've come up with telling stories in scenes and images.
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Hemingway was a jerk.
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I went to small liberal schools my whole life, and I was also a bad girl in high school; I went to, like, five schools.
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I continually acted up to get attention. My father gave me that, and once he left, I felt that I didn't have any.
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What we should notice is that studies show that fathers' presence in their children's lives has a marked effect on how well their kids do later in life, so why aren't we asking how we can better liberate men from the workplace to be home with their kids more often?
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It's not a science when you are judging art, but we'd be remiss to say you can't look at something and say, 'This is more well done than that.'
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I'm a homebody for sure. I do a lot of work at home.
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You have two choices: You can take what you're given or build with what you've got. I choose to build with what I've got and try to make the best of it because I've still been given a stage. I've still got cameras in front of my face when I want them, and I plan to run with it.
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For slaves to fashion, the rules are made to be broken.
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We live in an age of apologies. Apologies, fake or true, are expected from the descendants of empire builders, slave owners and persecutors of heretics, and from men who -in our eyes- just got it all wrong. So, with the age of 85 coming up shortly, I want to make an apology. It appears I must apologize for being male, white, and European.
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I love men who know when to put their foot down and when not to.
