Leandra Medine Quotes
By the time I graduated college, I was sick of what was out there. I wanted to bring something new to the Internet.
Quotes to Explore
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When I was right out of college, I felt competitive with some of the guys in my class over career stuff.
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I'm a Ninja. I'm not scared of death.
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All you have to do is come to Ohio and say, 'I think NAFTA is a lousy deal,' and everybody cheers.
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I first started writing fiction in college because I was attracted to beautiful sentences. I loved to read them. I wanted to write them.
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When I put magic into a book - whether it's a wizard or a crusty old werewolf - I'm asking a reader to swallow a huge leap that is counter to everything he or she knows. An extra big helping of reality makes that leap go down a lot easier.
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My biggest thing has always been privacy. With an interview such as this where the questions are about me, I struggle to express myself. I have an immediate answer in my head of what I'd say, but sometimes I feel that it would be too honest. So these wheels of censorship start going around my head.
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I think it's possible to be multi-rooted, rather like a banyan tree, without being deracinated.
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Only then, approaching my fortieth birthday, I made philosophy my life's work.
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To be honest, if it wasn't for my daughter, I don't think I would have gotten out of the situation that I was in before 'Idol' because I am a domestic violence survivor.
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I like 'The Three Musketeers.' I like those kind of cool things where they were having a robe and a sword.
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To work hard, to live hard, to die hard, and then go to hell after all would be too damn hard.
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There are still so many movies made starring 50 men and one woman! A white male actor should never be allowed to complain about anything. Shut up and sit in the corner. I mean, seriously!
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I am not interested in producing fiction for Indian television at all, the reason being that I don't understand the medium. I can be a judge or a host; I can do that as an individual. But to produce TV content, you have to know the game.
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There are other writers who try for subtle and minimalists effects, but I don't travel in that tribe.
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How you manage change can make all the difference.
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I think there is a poem out there for everyone, to be an entrance into the poetry and a relationship with it.
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I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.
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To return after long years of painful absence to some place which has been the scene of our former joys, and whence the force of circumstance, and not choice, has driven us, is oppressive to the heart.
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Our policy is not to discourage the private sector, but to see that Air India plays the role of flagship in the industry. In the transport sector, Air India is the 'fate of India' and all efforts will be made to restore its past glory.
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The difference between a tool and a machine is not capable of very precise distinction; nor is it necessary, in a popular explanation of those terms, to limit very strictly their acceptation.
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The more I watch politicians in action, it just makes me angry.
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I'm not the kind of actress that goes home with the character. I mean, you're thinking about the work or the next day's scenes, but not staying in character. But as a film goes on, you become more and more fragile, emotionally. And physically too, actually.
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I used to write in a room overlooking the valley from where I could see too much, whether checking the sheep and alpacas or seeing the trout rise on the lake.
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By the time I graduated college, I was sick of what was out there. I wanted to bring something new to the Internet.
