Lee Gutkind Quotes
To reconstruct stories and scenes, nonfiction writers must conduct vigorous and responsible research. In fact, narrative requires more research than traditional reportage, for writers cannot simply tell what they learn and know; rather, they must show it.
Quotes to Explore
-
Basically, I have a gift as an actress, and I want to present the sophisticated side of me as an actress and a person.
-
I have a classic taste with a twist, because classic never goes away.
-
This love is silent.
-
To understand something, whether we are aware of it or not, depends on choosing a model. We get to understand what we see by comparing it with something else, something that we think we understand better. But what we compare it with turns out to have a huge influence on the outcome.
-
My priority is to take care of my daughter and my family.
-
I think the only time I show my emotions and anger is on the cricket field; otherwise, I've mellowed down. And with age, I think, with age you always end up mellowing down.
-
I need one psychological expert to help me concentrate.
-
I picked up my college copy of 'The Great Gatsby' in an attempt to recover from the movie and was interested to find out what I'd underlined. The answer was basically: everything.
-
What else does a manager do but push buttons? He doesn't hit, he doesn't run, he doesn't throw, and he doesn't catch the ball. A manager has twenty-five players, or twenty-five buttons, and he selects which one he'll use, or push, that day. The manager who presses the right buttons most often is the one who wins the most games.
-
Democracy is fatal for the arts; it leads only to chaos or the achievement of new and lower common denominators of quality.
-
Acting is not my favourite thing. I don't like wearing costumes and wigs.
-
I feel like if you enjoyed the 119 hours that precede the finale of 'Lost,' is that whole experience ruined by the fact that you might not agree with everything that we did in the finale? I would hope not! I would hope that you would appreciate the fact that you were entertained for 119 hours even if you didn't love the finale.
-
I don't want to compete. I want to skate for the joy. I get so nervous in competition. I get always sick. I had pressures enough in my life from skating.
-
All my movies are achingly personal.
-
As footballers, you just grow up with people from different backgrounds and different colors of skin.
-
Fight scenes are hard, no matter what you do. You're trying to make it look like you're hurting someone without hurting them. It doesn't matter how big and strong the guy is that you're fighting or how small and feeble someone is that you're fighting. You don't want to hurt them. You're working with them.
-
I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'
-
The Negro cannot stand the present reactionary tendencies and unreasoning drawing of the color line indefinitely without discouragement and retrogression. And the condition of the Negro is ever the cause for further discrimination.
-
I've enjoyed my time in the American League, the fans of Southern California and other friendships.
-
I always thought that life is full of stories and characters that feel like literary stories and characters. So when I started making documentaries, they weren't humble empirical things, just following people around. I was always trying to impose a story.
-
I began to suspect that Daddy had been right all along: the only hope I had of changing the world was to change myself first.
-
Well, the oil, the oil spot, if you will, is a, is a term in counterinsurgency literature that connotes a peaceful area, secure area. So what you're trying to do is to always extend that, to push that out.
-
To reconstruct stories and scenes, nonfiction writers must conduct vigorous and responsible research. In fact, narrative requires more research than traditional reportage, for writers cannot simply tell what they learn and know; rather, they must show it.
