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It's a lot harder to find fault with the mundane details of daily existence when you really, really know on a cellular level that you're going to go, and that this moment, right now, is life. Life isn't what happens to you in 20 years. This moment, right now, is your life.
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Racism is ridiculous no matter where it's coming from.
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Most of us live in artificial environments and then we go to work in artificial environments and the world becomes something that you see through a window.
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Obviously death is a theme I'm fascinated by.
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'Six Feet Under' was about repressing our deepest, most primal impulses, and 'True Blood' is about giving full sway to them all the time. In a way they are like yin and yang.
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I guess in America we're so sold on this ideal of the perfect, well-adjusted family that is able to confront any conflict and, with true love and understanding, work things through. I'm sure they do exist, but I never knew any of them.
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'True Blood' differs from 'Six Feet Under' in that there are way more characters and plot-lines, but fundamentally it's still about the characters and their emotions.
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Death showed up in my life very early on, so I'm aware of it. If you look at most of the things I write there's a sort of contemplation of mortality - although 'True Blood' doesn't fall into that. Even though there's such a ridiculously high body count!
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I really love storytelling, and I love the stories as they reveal themselves. It's an incredibly nourishing process; it's probably the closest I come to having a religion.
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I'm at the point in my life where I don't want to work as hard. Actually, I've had to take a good hard look at workaholism and it's effect on one's mental health.
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I believe forgiveness is possible for everybody, for everything, but I'm a Buddhist.
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When I go home, the last thing I want to do is read about the popular lore of vampires.
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I'm a huge freak, and always have been. I spent the first part of my life trying really desperately not to be one, and it was just a waste of time.
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I'm not like J.K. Rowling, where I know there's going to be this number of seasons, and I know exactly what's going to happen. I would be so bored if that was the case. There would be no journey. There would be nothing to discover.
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You know, I'm gay and I grew up being aware of that at a very early age, in a fairly repressed family.
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I think sexuality is a window into someone's soul.
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My own belief is that people can come back from anything. It doesn't mean that it won't come at a huge cost.
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I don't really know what it is about vampires that makes them such a powerful symbol, metaphor, whatever in people's consciousness. But I do know they're tremendously powerful. I mean, there's a vampire on 'Sesame Street.' And Count Chocula. I don't know why it's so powerful.
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I am so spoiled. I cannot watch a show where it gets interrupted for ads. I have to TiVo it and skip through the ads, because the culture of advertising is so false and phony that I just... ugh, you know?
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There is a fetishization of victimization in our culture. And I just am not interested in victimhood.
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We live in a patriarchal culture. It's okay for women to be objectified but not for men.
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I am a little suspicious of industry paradigms. I feel like so many movies and TV shows feel so familiar because of over-reliance on these paradigms.
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As a writer, it's fun to create. And once you get into a long-running show with very established characters and a very established tone and format, after a while it's a really great job, but that's what it is - a job.
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Well, here's the thing with relationships on 'True Blood': Once they happen then you have to throw a monkey-wrench into them, because to have people be happy is not that exciting.