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He ... knew, in that instant, that his life would not be an easy one-he was different, he looked different, he thought differently.
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When there's an adult person who's scaring you, you grow up pretty quickly.
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You'll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.
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There are some days when you don't feel like being Alan Cumming.
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I love a film where I get squished by two dumpsters or I fly through the air.
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Once in a while it's good to challenge yourself in a way that's really daunting.
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I don't avoid anyone but I always think some people hate me.
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I like the tragedies way more than the comedies because they're so universal.
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For example, Americans seem reluctant to take on Shakespeare because you don't think you're very good at it - which is rubbish. You're missing out here.
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A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.
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I'm Scottish first, and it's odd to hear that I'm a Scottish-American.
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I'm quite good, though I say it myself, at making strangers feel at ease.
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Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
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I think people deny themselves by putting themselves into categories.
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It is not hard to feel like an outsider. I think we have all felt like that at one time or another.
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Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.
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I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I'm choosing my homeland. It's funny: when you get older these things creep up to you.
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You should *have* an experience; it shouldn't just *be* an experience.
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When you're on TV, you come into people's homes. In theater and film, they go to you - to the temple of the cinema or theater. And it's very different.
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Some things are just really difficult to do. That's what I find hard. I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
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It's exciting to be with really, really good people. Some people make you feel like you've got to up your game. Working with good people is always good.
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I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
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Romeo is the most misunderstood character in literature, I think. He's hardcore to play because he's displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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I like working on things that are very different and that involve different disguises.