Lee Unkrich Quotes
Quotes to Explore
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I am very proud to be African. I want to defend African people, and I want to show to the world that African players can be as good as the Europeans and South Americans.
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I used to stay up all night playing 'Resident Evil 2,' and it wouldn't stop until the sun came up. Then I'd walk outside at dawn's first light, looking at the empty streets of London, and it was like life imitating art. It felt like I'd stepped into an actual zombie apocalypse.
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Cinema affects everything, from the way I get dressed to how I build my stages.
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In U.S. sports, you tend to be pretty strictly limited by the size of your team's market. When we heard that Villa was a club here that might be available, I had a strong feeling that a team in the West Midlands could be the chance to create something very special.
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The very idea of carrying my memory into eternity devastated me, and I took refuge in atheism.
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We want to allow Costa Ricans to make a qualitative leap in our development and go to an economy based on innovation and developing a broadband infrastructure in order to overcome the barrier of 15 per cent penetration.
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And as long as people want to hear me sing, I don't know why I'd retire.
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I acted when I was a real little kid. My mother was an actress in a Miami theater company comprised of actors from Cuba like her and I was the default kid.
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I've got a general callout with the Caribbean world in which I'm interested in helping in any way to get their well-written good stories out to the rest of the world. I am really interested in helping those stories get to a completion and public viewing.
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There are many who lust for the simple answers of doctrine or decree. They are on the left and right. They are not confined to a single part of the society. They are terrorists of the mind.
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Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section.
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I think it's really important to be conscious of yourself and the world around you. For me, that meant reading a lot and reporting.
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I don't know that I'd call myself an optimist.
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Bowie is just a persona. He's a singer, an entertainer. David Jones is a man I met.
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You're going to change as you grow older, and that messes up a lot of relationships.
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I was bloody ill-tempered when I was young.
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From 'Trainspotting' to 'Acid House,' I moved from urban realism into fantasy.
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I wrote large chunks of 'The Impostor' and 'The Good Doctor' on a beach in Goa.
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I don't have any set things that I'm looking for, like, 'I've done this now I want to do this,' kind of thing. Just read the material, if it appeals, if it makes me laugh: like, 'Death at a Funeral' made me laugh out loud.
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I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for "Felicity" or "Alias" ever again. I'm just too impatient these days. I want to get on to the next project.
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I'm kind of a dirty guy, a little Bill Laimbeer-ish. Those are the guys I used to watch growing up. I used to watch Karl Malone; now I watch Boozer and Elton Brand and try to emulate those guys as much as possible because those guys are about the same size as me.
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I like playing the guy on the sidelines. They have more fun.
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I love Giuseppe Tornatore, the guy that did 'Cinema Paradiso.'
