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I've always been really anti-social, and being relatively famous has just given me an excuse to go out even less. If I didn't play in Soundgarden I'd have no excuse for being the way I am. My friends and family would hate me, whereas now they probably feel sorry for me. Y'know, 'Poor kid, he can't come out because he gets hassled a lot.'
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I wasn't good in school. I didn't do sports. I sat in the bedroom and listened to records. Because the Beatles did whatever they wanted to, I took that as a kid and said, 'That's what rock is.'
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My history of singing has always probably been closer to a David Bowie approach than, for example, an AC/DC approach.
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RockNet Interview: Chris Cornell of Soundgarden (May 1, 1996).
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Oddly enough, I was in Paris, the last show of a Soundgarden tour. I didn't know him that well, but I had friends who were trying to talk to him and it wasn't working out. I had this idea that when I got home, I'd try and sit down with him.
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One thing that I have thought ever since Temple of the Dog is that I would never say no to an interesting collaboration, and that's partly where Audioslave came from.
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I have a hard time narrowing things down to ten or 12 songs. If I walk off stage in anything less than two hours, it just feels strange. It feels early.
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You sometimes get the feeling that people think getting back together after a hiatus to write and record a record is work, you know, arduous and unpleasant. Being able to write and record - that's a privilege. I don't forget the long days I spent working in a restaurant, when I wanted to be done so I could go home and work on a song.
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My favorite Bob Dylan record is the very first one where he sings one Bob Dylan song and the rest of them are his interpretations of the Dust Bowl-era folk songs, or even going back as far as the mass influx of people coming into the U.S. during the gold rush. His interpretations of those songs are incredible.
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The rest of the band Soundgarden thought it was silly of the press to concentrate on the beefcake when I was writing songs, singing, and playing guitar for the band. Even now, some people will stick a paragraph about my hair in the body of a review.
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I was depressed for a long time. If you’re depressed long enough, it’s almost a comfort, a state of mind that you’ve made peace with because you’ve been in it so long. It’s a very selfish world.
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When you break out the acoustic guitar, the words are the focal point unless you're the Jimi Hendrix of the acoustic guitar. So the words have to have meaning.
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My first favorite band that made music important to me was the Beatles. I was a little kid. I didn't know who was singing what song or who wrote what song.
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If you knew someone who was terminally ill and in grave pain, would you participate in an assisted suicide? I would.
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I think everybody, no matter how rich or poor, how young or old, has a phase in his life when he's depressive. It's reality. Not a lot of people want to talk about it. Most people rather hide that fact, but it's just one of the facts of life that absolutely fascinates me.
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A lot of what attracted people to Nirvana was that they were like the people you went to high school with.
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I don't listen to Beyonce or Jennifer Hudson records.
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I rejected most of the folk I was exposed to in the Seventies. I came around later to Tom Waits, some parts of Jim Croce, and a lot of Cat Stevens.
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I always looked at rock & roll as the voice of regular people, of an economic group not in charge.
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I don't really go mountain biking per se, like a proper sport.
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Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.
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In spite of my lack of education, I didn't lack direction.
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As a child, I was this record collector/listener that would sit in a room and listen to the entire Beatles catalog alone, over and over and over again.
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'Black Hole Sun' was written in a car when I was driving home from the studio one night. Pretty much everything that you hear was written in my head.