Chris Cornell Quotes
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I came from a childhood where I spent a lot of time alone and a lot of time just living with my imagination, and a certain amount of the adult world was kind of alienating.
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I think we all carry a depressive streak in us but most people just hide it. A lot of people think that entertainment has to be something loud, cheerful and happy. I don't buy into it. Depression can be very inspiring. At least for me it can be. The quiet aspects of life are very important, because let's face it, life is pretty difficult.
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A lot of people get into alternative music as part of their identity. It's something that isn't the mainstream, that their brothers and sisters don't know about, and that their parents don't like. It's something they can have as their own.
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Sometimes, if a song is written, in essence, to be that stripped down, it's very touchy when you start adding things, because even the smallest thing can have a huge impact. Somebody has to make the decision that there's a better song in there if there's less.
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I never felt bad about being lumped in with other Seattle bands. I thought it was great.
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No matter what, I can't sound like John Lennon. But I can do Tom Jones.
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People don't realize how much fun it is to be depressed.
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No, I thing that's the worst f**king thing. I mean, can you imagine having to get up at 4am and sit in a trailer while someone puts makeup on you? Then stand in front of a camera and say the same lines 60 times. I feel sorry for actors and I never want to do it. I stood in front of a camera in Singles and that's about it.
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I think there needs to be a global focus on people taking care of people.
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They were my friends. Those guys were like The Monkees. They lived in this house all together... no joke, the whole band all together in the same house, and they were really fun. They were really young guys and they lived the real Rock life. Of course it all went horribly wrong later, but they were great.
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When that much time goes by, you're really listening to your old music differently. At the time it's written, it was the beginning of our career and with every song we're thinking, 'This is what's creating us.' Now, nothing is creating us. We're well-created. We're there. It becomes just pure pleasure and you become sort of an archeologist of your own music. You don't judge it, because what's the point? It's a 30-year-old song. It just becomes fun.
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I don't ever want something that I didn't do because I was afraid of it or I didn't think I'd be good at it - within reason. Obviously I'm never going to be able to play the trumpet.
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I'm not a lyric writer to make statements. What I enjoy doing is making paintings with lyrics, creating colorful images. I think that's more what entertainment and music should be.
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It's definitely a different world. Smoking is bad for your voice, for sure, but you learn to function in that world of bad. Now I'm in better shape, and I'm much more physical onstage, but I have to watch getting winded. Once I'm winded, I don't sing right. I would have smoked three cigarettes already during this interview laughs.
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Some of the most brilliant things that someone might do could happen in three minutes because it's something that just occurs to them. And then, there's the example of really chipping away at something to create something great. I don't believe that one is more reliable than the other.
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One of the main dilemmas that's pretty common to a lot of people who are getting older is the idea that maybe there's a finish line and that maybe there's a time in your life when you start to slow down and stop and smell the roses and just kind of settle into what will be a comfortable period in your life.
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I would hope that the future would have an international community that's not just bent on commerce, but that's focused on refugees, of all kinds and from all places. We don't know that won't happen in the U.S. someday. It literally could be a crisis from climate change, or anything. I think there needs to be a global focus on people taking care of people.
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Stone Temple Pilots, Bush, and Silverchair are taking the simplest elements of Soundgarden, Nirvana, and Pearl Jam and melding them into one homogenous thing.
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I was going to be a musician, no matter what it took. I supported myself with blue-collared jobs so I could write music and be in a band and play shows. I even got into an underground art scene. I was going to do whatever.
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If you sold a million records, the only way you could be disappointed is if the guy down the street sold seven million. But you've got to start dodging bullets once you've sold that many records, because everybody wants to kill you. We're not in that position. We can still be very successful and not have to worry about wearing bulletproof vests.
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I had to teach myself to let go of the conventional rock way of playing guitar and singing. Some things you wouldn't expect to work, did and some things won't ever work.
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I've had a long career and I want to continue to have a long career. The way to do that is not to go away.
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If you are trying to think ahead musically, it is not going to help you. It is better to ignore what is happening melodically and just look at the little dots coming at you and the corresponding colors and try to do it at the right time.
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I don't really go to clubs so I don't know what sounds are made there.