Chris Cornell Quotes
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Be yourself is all that you can do.
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I learned to read music when I was 10 and did piano and took lessons.
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They always say that the entertainment and restaurant industries are the only businesses that don't sink during a depression or a recession. I've done both, and I recommend to anyone who wants to be a rock star, if that doesn't pan out, become a cook.
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Children should always feel like the adults are living in this world to nurture them, to take care of them, to protect them from any bad thing that might come.
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One of the main dilemmas that's pretty common to a lot of people who are getting older is the idea that maybe there's a finish line and that maybe there's a time in your life when you start to slow down and stop and smell the roses and just kind of settle into what will be a comfortable period in your life.
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I would hope that the future would have an international community that's not just bent on commerce, but that's focused on refugees, of all kinds and from all places. We don't know that won't happen in the U.S. someday. It literally could be a crisis from climate change, or anything. I think there needs to be a global focus on people taking care of people.
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Soundgarden was incredibly democratic, and I was really proud of that. I felt like we got along better than most bands we toured with and most people we knew. And at the same time, when you're that democratic and concerned with each other's opinions, you're always concerned with what the other people think.
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No, I thing that's the worst f**king thing. I mean, can you imagine having to get up at 4am and sit in a trailer while someone puts makeup on you? Then stand in front of a camera and say the same lines 60 times. I feel sorry for actors and I never want to do it. I stood in front of a camera in Singles and that's about it.
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I actually think to some degree that people are down for longer shows with an acoustic show.
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If you are trying to think ahead musically, it is not going to help you. It is better to ignore what is happening melodically and just look at the little dots coming at you and the corresponding colors and try to do it at the right time.
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I was going to be a musician, no matter what it took. I supported myself with blue-collared jobs so I could write music and be in a band and play shows. I even got into an underground art scene. I was going to do whatever.
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They were my friends. Those guys were like The Monkees. They lived in this house all together... no joke, the whole band all together in the same house, and they were really fun. They were really young guys and they lived the real Rock life. Of course it all went horribly wrong later, but they were great.
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A true musician, like Johnny Cash, should be able to walk into a room with nothing but an instrument and capture people's attention for two hours.
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Rolling Stone: What was your headspace at the time of Superunknown? A lot of the lyrics are dark.
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The focus on my wife and my children, it really helps me make sense of the music side of it somehow.
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I think we all carry a depressive streak in us but most people just hide it. A lot of people think that entertainment has to be something loud, cheerful and happy. I don't buy into it. Depression can be very inspiring. At least for me it can be. The quiet aspects of life are very important, because let's face it, life is pretty difficult.
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A band that makes records and tours is also a business. That's usually where a lot of disagreements come. It's four guys who are musicians and don't really know much about business, but are very passionate and have very specific ideas.
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I don't really go to clubs so I don't know what sounds are made there.
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I came from a childhood where I spent a lot of time alone and a lot of time just living with my imagination, and a certain amount of the adult world was kind of alienating.
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What makes that song, I think, is how stark it is.
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Any way that you can get the end result is valid, whatever it takes.
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I don't think there are too many rock bands in history that can look at the beginning and middle and ending of themselves and see what I see when I think of Soundgarden. I think from the beginning through the middle and the end it was such a perfect ride and such a perfect legacy to leave.
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There's sadness to anyone that dies before their time, and specifically ones that seem to affect people in a positive way. It doesn't matter if it's Whitney Houston or a nameless, faceless person on the street. That's just as big of a tragedy for me.
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When you're young, playing drums is immediately satisfying 'cause whether or not you know how to play anything, the bottom line is that you're pounding on something, so you're happy about it.