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Soundgarden was incredibly democratic, and I was really proud of that. I felt like we got along better than most bands we toured with and most people we knew. And at the same time, when you're that democratic and concerned with each other's opinions, you're always concerned with what the other people think.
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I actually think to some degree that people are down for longer shows with an acoustic show.
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A band that makes records and tours is also a business. That's usually where a lot of disagreements come. It's four guys who are musicians and don't really know much about business, but are very passionate and have very specific ideas.
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I'm looking California, And feeling Minnesota...
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When we've toured with Skid Row and G N' R, we probably turned a few people on to our music, but I get the feeling at one of those shows you might snag maybe 10 percent of the people out there.
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I came from a childhood where I spent a lot of time alone and a lot of time just living with my imagination, and a certain amount of the adult world was kind of alienating.
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Rolling Stone: What was your headspace at the time of Superunknown? A lot of the lyrics are dark.
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They always say that the entertainment and restaurant industries are the only businesses that don't sink during a depression or a recession. I've done both, and I recommend to anyone who wants to be a rock star, if that doesn't pan out, become a cook.
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They were my friends. Those guys were like The Monkees. They lived in this house all together... no joke, the whole band all together in the same house, and they were really fun. They were really young guys and they lived the real Rock life. Of course it all went horribly wrong later, but they were great.
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I was going to be a musician, no matter what it took. I supported myself with blue-collared jobs so I could write music and be in a band and play shows. I even got into an underground art scene. I was going to do whatever.
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When you're young, playing drums is immediately satisfying 'cause whether or not you know how to play anything, the bottom line is that you're pounding on something, so you're happy about it.
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If you are trying to think ahead musically, it is not going to help you. It is better to ignore what is happening melodically and just look at the little dots coming at you and the corresponding colors and try to do it at the right time.
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A true musician, like Johnny Cash, should be able to walk into a room with nothing but an instrument and capture people's attention for two hours.
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I think we all carry a depressive streak in us but most people just hide it. A lot of people think that entertainment has to be something loud, cheerful and happy. I don't buy into it. Depression can be very inspiring. At least for me it can be. The quiet aspects of life are very important, because let's face it, life is pretty difficult.
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I don't think there are too many rock bands in history that can look at the beginning and middle and ending of themselves and see what I see when I think of Soundgarden. I think from the beginning through the middle and the end it was such a perfect ride and such a perfect legacy to leave.
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I don't really go to clubs so I don't know what sounds are made there.
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What makes that song, I think, is how stark it is.
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I had kind of a mean piano teacher. I went to Catholic school, so it was like the typical thing you would imagine - a little kid with a white-haired teacher frowning at the fact that I didn't practice.
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There's sadness to anyone that dies before their time, and specifically ones that seem to affect people in a positive way. It doesn't matter if it's Whitney Houston or a nameless, faceless person on the street. That's just as big of a tragedy for me.
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Children should always feel like the adults are living in this world to nurture them, to take care of them, to protect them from any bad thing that might come.
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I feel like you're not a real musician or entertainer if you can't go into a room, pick up an instrument and entertain people.
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Any way that you can get the end result is valid, whatever it takes.
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It isn't necessary to be an untouchable rock-icon guy surrounded by bodyguards and be ushered in and out and have everyone do everything for you. It isn't necessary to change the way you present your band to the public just because you're successful. That happened a lot in the '80s: there was a school of thought that said people would like you more if you acted like you were the unattainable star.
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The words you say never live up to the words in your head.