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A certain scenario kept repeating itself. The people from the magazines would take two or three shots of the band. They’d start to pack up. And then they’d sort of take me off into a corner by myself. After about the thirtieth time that a photographer asked me to take my shirt off, I started to get the picture.
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At the end of the day it's the fans who make you who you are.
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Audioslave was something that I felt had become a career decision. It became three albums over a period of years touring with a specific group of people.
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The fans own the records and listen to them and love them. It becomes the soundtrack to some part of their lives, and we don't control that. To me, that's what's exciting about what we do.
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One of the Robinson brothers from the Black Crowes turned me on to Nick Drake.
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I would look at older blues musicians who just keep going into their seventies. They keep doing it until they drop dead. And I've always felt like that's what I want to do. I've felt that since the day I was able to start playing music for a living. I don't see the point of thinking about retiring because it's not work to begin with.
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If you sold a million records, the only way you could be disappointed is if the guy down the street sold seven million. But you've got to start dodging bullets once you've sold that many records, because everybody wants to kill you. We're not in that position. We can still be very successful and not have to worry about wearing bulletproof vests.
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I play Texas Hold'em on my Blackberry. I have amassed a fortune on that. I have almost 30 million dollars from playing. It is unreal.
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I used to work in jobs I hated because I needed the money to buy a guitar. I know what it feels like to be depressed. On the other hand, I also know what it feels like to have money, to be successful, to be independent, but I can tell you that money and success never solve your problems.
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Stone Temple Pilots, Bush, and Silverchair are taking the simplest elements of Soundgarden, Nirvana, and Pearl Jam and melding them into one homogenous thing.
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'The Beatles' did whatever they wanted. They were a collection of influences adapted to songs they wanted to write. George Harrison was instrumental in bringing in Indian music. Paul McCartney was a huge Little Richard fan. John Lennon was into minimalist aggressive rock.
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Maybe Kurt Cobain meant it to mention suicide in his lyrics; maybe he didn't. We're never going to know. When Andy Wood died, there were tons of lyrics that he wrote that sort of alluded to, well, it's possible that it's going to happen. It's not likely I'm going to kill myself, but those lyrics are still there.
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I started as a drummer, so I sort of took on singing duties by default. I had sung backgrounds and some lead vocals from behind the drums in different bands that I'd been in, and I'd gotten great responses for the songs I would sing. I really started pursuing the possibility of being a lead singer based on the fact that I was working a full-time restaurant job and then playing gigs at night, hauling drums around. One day, it just dawned on me that, 'Hey, I could be in a band and be the singer, and it would be a lot easier!'
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I'm a huge fan of film and always have been.
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Everything's different. You have to recognise the fact that I'm different. Time goes on, and you change. I'm coming into this as a different guy, that's probably the biggest thing.
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An acoustic show is all about you, and any little nuance or mistake is amplified.
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Once you sit in front of people and start playing songs, it's all on you. No matter what happens, it's entirely your responsibility the entire time. I like that intensity.
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I'm not a lyric writer to make statements. What I enjoy doing is making paintings with lyrics, creating colorful images. I think that's more what entertainment and music should be.
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When I started writing songs for Temple of the Dog, I went to my room with my acoustic guitar, and I was happy staying in that mode. It was more chordal based and more lyric driven. I enjoyed not making riff-based songs built around a guitar idea.
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I remember as a kid that I was always physically fit.
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You can't always make out the words I sing with Soundgarden.
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It's good for me to be involved in different things.
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'Spoonman' wasn't written for any album. It was just written for fun.
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Guitar.com: he tone of Euphoria Morning is kind of melancholy.