Chris Cornell Quotes
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They're a great audience, kids. They actually respond. They don't have the references that adults have, so everything is immediate. It's always interesting to see what they react to in whatever I'm working on at the moment. And they don't even want to discuss why. That's a lesson to remember: My son doesn't care about why.
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Being solo really lends itself to different interpretations - and everything is in the moment and on a whim. I never realised how far out you can go when you are by yourself.
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Not really. I don't even have enough time to pursue everything I want to do musically. Also, there's a lot of people out there who spend a lot of time trying to act, so I think most of the good acting jobs should be reserved for those people.
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I used to work in jobs I hated because I needed the money to buy a guitar. I know what it feels like to be depressed. On the other hand, I also know what it feels like to have money, to be successful, to be independent, but I can tell you that money and success never solve your problems.
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One of the Robinson brothers from the Black Crowes turned me on to Nick Drake.
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When you have four guys in a room writing songs, it different. It's great - that's what makes a band a band. Audioslave was great.
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'Superunknown' was one of the most dramatic shifts in what we were doing musically. I don't think I realized it at the time.
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When Soundgarden formed, we were post-punk - pretty quirky.
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I got in touch with the creative process between the age of 14 and 16, mainly because I was alone so much.
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I play Texas Hold'em on my Blackberry. I have amassed a fortune on that. I have almost 30 million dollars from playing. It is unreal.
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I think my children are definitely musically inclined, and they show it, and they're exposed to a lot of it. And they're their own people, and I think easily they could do something musical, or they could do something in acting or film or other types of the arts, and I would fully support it.
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Everything's different. You have to recognise the fact that I'm different. Time goes on, and you change. I'm coming into this as a different guy, that's probably the biggest thing.
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When I met my wife Vicky's family, I had to go out of my way to convince them, to show them, that I wasn't anything like their idea of a musician.
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An acoustic show is all about you, and any little nuance or mistake is amplified.
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The fans own the records and listen to them and love them. It becomes the soundtrack to some part of their lives, and we don't control that. To me, that's what's exciting about what we do.
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I've seen a lot of Pearl Jam shows, and the only reaction I've ever seen is the audience being completely supportive and loving every moment.
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You can't always make out the words I sing with Soundgarden.
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'The Beatles' did whatever they wanted. They were a collection of influences adapted to songs they wanted to write. George Harrison was instrumental in bringing in Indian music. Paul McCartney was a huge Little Richard fan. John Lennon was into minimalist aggressive rock.
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Seattle very much benefited from this geography where it was a town nobody had really heard of in terms of a music scene. So we had that factor of being a new discovery.
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I don't get in there and create a character. It's more of a voice that I hear living inside the music.
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I started as a drummer, so I sort of took on singing duties by default. I had sung backgrounds and some lead vocals from behind the drums in different bands that I'd been in, and I'd gotten great responses for the songs I would sing. I really started pursuing the possibility of being a lead singer based on the fact that I was working a full-time restaurant job and then playing gigs at night, hauling drums around. One day, it just dawned on me that, 'Hey, I could be in a band and be the singer, and it would be a lot easier!'
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'Spoonman' wasn't written for any album. It was just written for fun.
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What do you think Jesus would twitter, 'Let he who is without sin cast the first stone' or 'Has anyone seen Judas? He was here a minute ago.'
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Audioslave was something that I felt had become a career decision. It became three albums over a period of years touring with a specific group of people.