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Some of the most brilliant things that someone might do could happen in three minutes because it's something that just occurs to them. And then, there's the example of really chipping away at something to create something great. I don't believe that one is more reliable than the other.
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When you're young, playing drums is immediately satisfying 'cause whether or not you know how to play anything, the bottom line is that you're pounding on something, so you're happy about it.
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Maybe sincerity is the new punk. But to me, I think I have to connect with something emotionally, on some level, or I don't care about it. And if I don't care about it, then I don't think anyone listening to it will, either.
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I don't care what people think of me or for what reason they think of me. I don't feel like I don't know who I am to the degree that I have to change my hair to create a new me.
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Obviously, I want my kids to be happy, and I believe that they can be super successful at whatever they want to do, but don't make the successful part more important than the process of doing it. Especially if it's an artistic endeavor.
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Maybe Kurt Cobain meant it to mention suicide in his lyrics; maybe he didn't. We're never going to know. When Andy Wood died, there were tons of lyrics that he wrote that sort of alluded to, well, it's possible that it's going to happen. It's not likely I'm going to kill myself, but those lyrics are still there.
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It isn't necessary to be an untouchable rock-icon guy surrounded by bodyguards and be ushered in and out and have everyone do everything for you. It isn't necessary to change the way you present your band to the public just because you're successful. That happened a lot in the '80s: there was a school of thought that said people would like you more if you acted like you were the unattainable star.
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RockNet: Were you terribly uncomfortable at the recent Grammy Award Show?
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When I did the solo acoustic tour in 2010, I fell in love with that kind of performance.
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I had kind of a mean piano teacher. I went to Catholic school, so it was like the typical thing you would imagine - a little kid with a white-haired teacher frowning at the fact that I didn't practice.
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If I'm going to go out to be a solo artist, it's because I want to do something different without having to wait on someone else's schedule or hobbies or be limited by other people's prejudices. I'd be kind of stupid not to exercise that.
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If I had a musical identity that was definable then it would be time to get into painting or something else. Race car driving.
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No matter what, I can't sound like John Lennon. But I can do Tom Jones.
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I've had a long career and I want to continue to have a long career. The way to do that is not to go away.
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I think the Beatles is one band that, if I'm working on a song arrangement or if I have some idea for a song, and there's a little bit of a Beatles quality to it, I never avoid that. I always will steer into it.
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When you start your first band and it has an impact on the rest of the world you go through a lot with those guys and you become very protective of that legacy.
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There was no animosity in the breakup of Soundgarden.
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When I was eight, my piano teacher played seven or eight notes, and I sang them. She stopped and looked at me in shock! That was the first time I'd gotten that reaction. I'd had looks of horror, but never shock in a positive way.
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I think back to my childhood, and I remember running around as a kid. We were all running around then. It wasn't about getting into shape. It's just what we did.
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What's important is to get into shape and then not to have to worry about it. I don't want to get on stage and not being able to do something. Not being physically fit doesn't work for me.
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There was a period in my life where most of my musical career was spent in a band that was very aggressive, and there was sort of a wall of volume all the time.
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The more info I read, the more the Rock & Roll hall of fame seems anti-rock. Rock was not meant to be judged by panels of old people.
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You can really walk around a song and completely, if it's a good song, look at it from a lot of different angles. Johnny Cash with Rick Rubin illustrated that perfectly.
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Friends of mine that are from here or that have spent time here have told me about Israel and how warm the people are and that I should someday come here.