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Any way that you can get the end result is valid, whatever it takes.
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Maybe sincerity is the new punk. But to me, I think I have to connect with something emotionally, on some level, or I don't care about it. And if I don't care about it, then I don't think anyone listening to it will, either.
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I think we all carry a depressive streak in us but most people just hide it. A lot of people think that entertainment has to be something loud, cheerful and happy. I don't buy into it. Depression can be very inspiring. At least for me it can be. The quiet aspects of life are very important, because let's face it, life is pretty difficult.
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RockNet: Were you terribly uncomfortable at the recent Grammy Award Show?
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If I'm going to go out to be a solo artist, it's because I want to do something different without having to wait on someone else's schedule or hobbies or be limited by other people's prejudices. I'd be kind of stupid not to exercise that.
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I don't care what people think of me or for what reason they think of me. I don't feel like I don't know who I am to the degree that I have to change my hair to create a new me.
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Some of the most brilliant things that someone might do could happen in three minutes because it's something that just occurs to them. And then, there's the example of really chipping away at something to create something great. I don't believe that one is more reliable than the other.
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When you start your first band and it has an impact on the rest of the world you go through a lot with those guys and you become very protective of that legacy.
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Children should always feel like the adults are living in this world to nurture them, to take care of them, to protect them from any bad thing that might come.
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If I had a musical identity that was definable then it would be time to get into painting or something else. Race car driving.
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No, I thing that's the worst f**king thing. I mean, can you imagine having to get up at 4am and sit in a trailer while someone puts makeup on you? Then stand in front of a camera and say the same lines 60 times. I feel sorry for actors and I never want to do it. I stood in front of a camera in Singles and that's about it.
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I feel like you're not a real musician or entertainer if you can't go into a room, pick up an instrument and entertain people.
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It's definitely a different world. Smoking is bad for your voice, for sure, but you learn to function in that world of bad. Now I'm in better shape, and I'm much more physical onstage, but I have to watch getting winded. Once I'm winded, I don't sing right. I would have smoked three cigarettes already during this interview laughs.
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There was this moment when we made 'Superunknown': the Seattle music scene had suddenly ended up on an international stage with huge success.
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There was a period in my life where most of my musical career was spent in a band that was very aggressive, and there was sort of a wall of volume all the time.
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Being solo really lends itself to different interpretations - and everything is in the moment and on a whim. I never realised how far out you can go when you are by yourself.
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I've had a long career and I want to continue to have a long career. The way to do that is not to go away.
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No matter what, I can't sound like John Lennon. But I can do Tom Jones.
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Bands work in a way where everyone, at some point, has to have a similar idea of how you do things.
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When I was eight, my piano teacher played seven or eight notes, and I sang them. She stopped and looked at me in shock! That was the first time I'd gotten that reaction. I'd had looks of horror, but never shock in a positive way.
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There was no animosity in the breakup of Soundgarden.
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Music is supposed to be inspired.
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I think the Beatles is one band that, if I'm working on a song arrangement or if I have some idea for a song, and there's a little bit of a Beatles quality to it, I never avoid that. I always will steer into it.
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I think back to my childhood, and I remember running around as a kid. We were all running around then. It wasn't about getting into shape. It's just what we did.