Chris Cornell Quotes
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She gives the night its dreams.
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I had to teach myself to let go of the conventional rock way of playing guitar and singing. Some things you wouldn't expect to work, did and some things won't ever work.
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Radio and TV can still push a band, but things need to be shaken up. There is the Internet, but mostly what I see there is little kids on YouTube playing music.
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Everybody is influenced by someone.
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A lot of people get into alternative music as part of their identity. It's something that isn't the mainstream, that their brothers and sisters don't know about, and that their parents don't like. It's something they can have as their own.
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I never wrote music or arranged songs or lyrics when I was under the influence of anything but coffee. That's not gone away.
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I don't ever want something that I didn't do because I was afraid of it or I didn't think I'd be good at it - within reason. Obviously I'm never going to be able to play the trumpet.
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I never felt bad about being lumped in with other Seattle bands. I thought it was great.
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Criticism pretty much follows anything anyone ever does. So, anytime anyone ever writes a song, plays a show, or does whatever they do, there's going to be a certain amount of criticism because that's kind of what happens.
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Kerrang!: Clare Sharp from Glasgow would like to know what you thought of your mum's appearance in Kerrang! last August 1996 - predicting the future for ten rock stars?
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'Superunknown,' maybe more than most albums, didn't reveal itself to be what it was until the very end - literally until we were three quarters of the way through mixing it.
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And I'm lost behind The words I'll never find And I'm left behind As seasons roll on by
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When that much time goes by, you're really listening to your old music differently. At the time it's written, it was the beginning of our career and with every song we're thinking, 'This is what's creating us.' Now, nothing is creating us. We're well-created. We're there. It becomes just pure pleasure and you become sort of an archeologist of your own music. You don't judge it, because what's the point? It's a 30-year-old song. It just becomes fun.
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People don't realize how much fun it is to be depressed.
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I think there needs to be a global focus on people taking care of people.
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I actually think to some degree that people are down for longer shows with an acoustic show.
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One of the main dilemmas that's pretty common to a lot of people who are getting older is the idea that maybe there's a finish line and that maybe there's a time in your life when you start to slow down and stop and smell the roses and just kind of settle into what will be a comfortable period in your life.
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There's something about that blind trust between Timbaland and me - two people that have almost nothing in common except for a love of music - that is really rejuvenating.
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Be yourself is all that you can do.
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Soundgarden was incredibly democratic, and I was really proud of that. I felt like we got along better than most bands we toured with and most people we knew. And at the same time, when you're that democratic and concerned with each other's opinions, you're always concerned with what the other people think.
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I've always liked depressing music because a lot of times, listening to it when you're down can actually make you feel less depressed. Also, even though a person may have problems with depression, sometimes you can actually be kind of comfortable in that space because you know how to operate within it.
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Sometimes, if a song is written, in essence, to be that stripped down, it's very touchy when you start adding things, because even the smallest thing can have a huge impact. Somebody has to make the decision that there's a better song in there if there's less.
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I learned to read music when I was 10 and did piano and took lessons.
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A band that makes records and tours is also a business. That's usually where a lot of disagreements come. It's four guys who are musicians and don't really know much about business, but are very passionate and have very specific ideas.