Chris Cornell Quotes
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I prefer not to use any machines. I focus a lot on cardio, which is what I do when I'm on stage. I also am into isometric workouts.
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I never thought of myself as being the singer that wanted to create an identity and then stick to that.
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Kerrang!: Clare Sharp from Glasgow would like to know what you thought of your mum's appearance in Kerrang! last August 1996 - predicting the future for ten rock stars?
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And if you don't believe the sun will rise, stand alone and greet the coming night in the last remaining light.
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Rock never meant the same thing to everyone, but when I was growing up in the late seventies, everyone could identify the five, ten bands that formed the center.
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Everybody is influenced by someone.
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I've always felt like there's a certain amount of doing what I do, and performing and making records and doing interviews and photo shoots and that, that are kind of a necessary evil of getting my music to people's ears to hear. Over the years, I've just become more tolerant of that.
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I never look back, ever. I'm always looking ahead, working on the next thing.
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People don't realize how much fun it is to be depressed.
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When we've toured with Skid Row and G N' R, we probably turned a few people on to our music, but I get the feeling at one of those shows you might snag maybe 10 percent of the people out there.
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When that much time goes by, you're really listening to your old music differently. At the time it's written, it was the beginning of our career and with every song we're thinking, 'This is what's creating us.' Now, nothing is creating us. We're well-created. We're there. It becomes just pure pleasure and you become sort of an archeologist of your own music. You don't judge it, because what's the point? It's a 30-year-old song. It just becomes fun.
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I never felt bad about being lumped in with other Seattle bands. I thought it was great.
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Children should always feel like the adults are living in this world to nurture them, to take care of them, to protect them from any bad thing that might come.
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I'm looking California, And feeling Minnesota...
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What makes that song, I think, is how stark it is.
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Rolling Stone: What was your headspace at the time of Superunknown? A lot of the lyrics are dark.
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There's something about that blind trust between Timbaland and me - two people that have almost nothing in common except for a love of music - that is really rejuvenating.
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I feel like you're not a real musician or entertainer if you can't go into a room, pick up an instrument and entertain people.
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The idea of telling the story of the Armenian genocide - or, really, any other genocide - and repeating those stories is really important. I also think it's important to always be exposing the warning signs for what was leading up to it. Those tend to always be the same.
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Radio and TV can still push a band, but things need to be shaken up. There is the Internet, but mostly what I see there is little kids on YouTube playing music.
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The focus on my wife and my children, it really helps me make sense of the music side of it somehow.
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I learned to read music when I was 10 and did piano and took lessons.
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I had to teach myself to let go of the conventional rock way of playing guitar and singing. Some things you wouldn't expect to work, did and some things won't ever work.
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And I'm lost behind The words I'll never find And I'm left behind As seasons roll on by