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When you're having a conversation with someone who, despite his brilliant medical career, says he's going to produce the film, you think, "How's he gonna do this? Is he insane, or is he really going to pull this off? It might be both." It's really amazing to see someone do what he's done.
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The freedom I have as a U.S. citizen is unparalleled. Despite the fact people may not like American passports, having that passport affords me more freedoms than any other passport could.
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Led Zeppelin is just a bunch of stupid idiots who wrote cool riffs.
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He's like one of my best friends in the world. Absolutely genuine guy, I swear on the bible.
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I just kind of went into the blue-collar workforce at a really young age and discovered music, in terms of being a musician, around the same time. The good news is, I was probably 17 when I knew that's what I was going to do with the rest of my life, no matter what that meant.
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In the beginning of Audioslave, I was very honest. I said, 'We make great albums and write great albums - but don't be under the impression I'm going to be a lyricist that writes anything other than what strikes me as inspiring in the moment.' The lyrics weren't going to be focused politically.
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I've always had a really difficult time with loss.
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I think that one of the main privileges of what I do, which I am just starting to learn, is to have the ability to travel all over the world and experience different cultures.
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Companies figured out that the easiest way to make money was to reissue records that the accounting department had paid for years ago and already made a profit.
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I'm not usually in a talkative mode.
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The first time I ever went to Hawaii, I was listening to island music, thinking, 'I could've been born here, and I'm pretty sure I would never play that.'
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There's a lot of music that I don't like.
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I think the concept of commercials, for example, I have had offers to do songs in different commercials, and it is not what I have liked.
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Soundgarden signing to a major, then Mother Love Bone, and seeing the same happen to Alice in Chains. We were all suddenly making music and recording at the same time, and we had money to do it. It wasn't like a $2,000 recording that you do over a weekend. It's like, 'Wow, maybe this will be our job.'
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Kerrang! Magazine, March 1, 1997.
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I think Freddie Mercury is probably the best of all time in terms of a rock voice. There was a vulnerability to it, his technical ability was amazing, and so much of his personality would come out through his voice. I'm not even a guy to buy Queen records, really, and I still think he's one of the best.
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Ever since I can remember I’ve had positive and negative fan reviews. And whether it was positive or negative it wasn’t always based in reality or what my perception of the music was. But judging from playing these new songs live and my feelings on the record [Scream] – and it’s a great record – there is definitely an audience for it. Also, I don’t really go to clubs so I don’t know what sounds are made there.
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Criticism pretty much follows anything anyone ever does. So, anytime anyone ever writes a song, plays a show, or does whatever they do, there's going to be a certain amount of criticism because that's kind of what happens.
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It just doesn't get any more stripped down than going out totally alone and doing songs.
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I never wrote music or arranged songs or lyrics when I was under the influence of anything but coffee. That's not gone away.
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'Superunknown,' maybe more than most albums, didn't reveal itself to be what it was until the very end - literally until we were three quarters of the way through mixing it.
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My first memory of Nirvana was getting a cassette of demos, which ended up becoming Bleach. Everybody's response was that this was an amazing band and these were amazing songs. It was another indication that the Northwest had something special that you couldn't argue with.
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I'm interested in where I'm going and the people I am there to see. Going to Cuba was a great example of that, and the succession of going into Cuba, which is not a very easy place to get into, and playing music for people who have never seen a live rock concert outdoors like that.
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Rock never meant the same thing to everyone, but when I was growing up in the late seventies, everyone could identify the five, ten bands that formed the center.