Nadine Gordimer Quotes
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When the six-year-old daughter of a friend of mine overheard her father telling someone that I had been awarded the Nobel Prize, she asked whether I had ever received it before. He replied that the Prize was something you could get only once. Whereupon the small girl thought a moment: 'Oh' she said, 'so it's like chicken-pox.'
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Perhaps there is no other way of reaching some understanding of being than through art? Writers themselves don't analyze what they do; to analyze would be to look down while crossing a canyon on a tightrope.
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It's easier for the former masters to put aside the masks that hid their humanity than for the former slaves to recognise the faces underneath. Or to trust that this is not a new mask these are wearing.
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Mostly I'm interviewed by white people, and identified with white society.
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If one will always have to feel white first, and African second, it would be better not to stay on in Africa
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Can you imagine writers influencing things in America? Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more - absolutely not. France used to, at least, have writers as diplomats, but not any more.
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I'm a candle flame that sways in currents of air you can't see. You need to be the one who steadies me to burn.
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Communists are the last optimists.
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You can't change a regime on the basis of compassion. There's got to be something harder.
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If people would forget about utopia! When rationalism destroyed heaven and decided to set it up here on earth, that most terrible of all goals entered human ambition. It was clear there'd be no end to what people would be made to suffer for it.
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a writer doesn't only need the time when he's actually writing - he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.
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September 2001. A sunny day in New York. Many of us who are writers were at work on the transformation of life into a poem, story, a chapter of a novel, when terror pounced from the sky, and the world made witness to it.
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And this indifference is still very much present in modern South Africa. Just listen to Nobel Prize winner Nadine Gordimer - a representative of the British elite in this country: Afrikaner women are lower than rats, closer related to plants, just fit enough to be raped in an act of genus preservation.
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The Communist Party is very popular in South Africa, especially among the young people. Never having had a chance to travel, and having suffered so much under capitalism, they still can't believe that the Russian people themselves have rejected it.
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The primacy of the word, basis of the human psyche, that has in our age been used for mind-bending persuasion and brain-washing pulp, disgraced by Gobbles and debased by advertising copy, remains a force for freedom that flies out between all bars.
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It was a miracle; it was all a miracle: and one ought to have known, from the sufferings of saints, that miracles are horror.
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I don't think I am a citizen of the world; I am very much a citizen of my own country. But my own country is closely related to other parts of the world and influenced by what happens there.
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Perhaps the best way to write is to do so as if one were already dead, afraid of no one's reactions, answerable to no one's views.
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If you live in Europe . . . things change . . . but continuity never seems to break. You don't have to throw the past away.
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Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
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The function of a writer is to make sense of life. It is such a mystery, it changes all the time, like the light.
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Your whole life you are really writing one book, which is an attempt to grasp the consciousness of your time and place– a single book written from different stages of your ability.
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I never talk about what I'm writing about currently, never. It's private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.
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Very often we support change, and then are swept away by the change. I think that...you just make your own response to your own generation. A response adequate to your time.