Nadine Gordimer Quotes
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Well, you know, in the fundamentalist milieu of the Afrikaners, there was a sense that they were a chosen people, that they were bringing civilization to the blacks.
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It's easier for the former masters to put aside the masks that hid their humanity than for the former slaves to recognise the faces underneath. Or to trust that this is not a new mask these are wearing.
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When the six-year-old daughter of a friend of mine overheard her father telling someone that I had been awarded the Nobel Prize, she asked whether I had ever received it before. He replied that the Prize was something you could get only once. Whereupon the small girl thought a moment: 'Oh' she said, 'so it's like chicken-pox.'
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it's impossible to conquer all fear and loss by preparation. There are always sources of desolation that aren't taken into account because no one knows what they will be.
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a writer doesn't only need the time when he's actually writing - he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.
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If one will always have to feel white first, and African second, it would be better not to stay on in Africa
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Communists are the last optimists.
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The primacy of the word, basis of the human psyche, that has in our age been used for mind-bending persuasion and brain-washing pulp, disgraced by Gobbles and debased by advertising copy, remains a force for freedom that flies out between all bars.
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You can't change a regime on the basis of compassion. There's got to be something harder.
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If people would forget about utopia! When rationalism destroyed heaven and decided to set it up here on earth, that most terrible of all goals entered human ambition. It was clear there'd be no end to what people would be made to suffer for it.
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I'm a candle flame that sways in currents of air you can't see. You need to be the one who steadies me to burn.
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September 2001. A sunny day in New York. Many of us who are writers were at work on the transformation of life into a poem, story, a chapter of a novel, when terror pounced from the sky, and the world made witness to it.
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The Communist Party is very popular in South Africa, especially among the young people. Never having had a chance to travel, and having suffered so much under capitalism, they still can't believe that the Russian people themselves have rejected it.
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And this indifference is still very much present in modern South Africa. Just listen to Nobel Prize winner Nadine Gordimer - a representative of the British elite in this country: Afrikaner women are lower than rats, closer related to plants, just fit enough to be raped in an act of genus preservation.
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Mostly I'm interviewed by white people, and identified with white society.
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About the joys and the courage, I really don't know what other people think. I just know that I've never left Africa. I've lived there all my life. And one of the wonderful things, in spite of all the terrible things that happen in South Africa, is the way people continue to keep their dignity.
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I don't think I am a citizen of the world; I am very much a citizen of my own country. But my own country is closely related to other parts of the world and influenced by what happens there.
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If you live in Europe . . . things change . . . but continuity never seems to break. You don't have to throw the past away.
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Mumbling obeisance to abhorrence of apartheid is like those lapsed believers who cross themselves when entering a church.
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Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
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Your whole life you are really writing one book, which is an attempt to grasp the consciousness of your time and place– a single book written from different stages of your ability.
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Perhaps the best way to write is to do so as if one were already dead, afraid of no one's reactions, answerable to no one's views.
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Very often we support change, and then are swept away by the change. I think that...you just make your own response to your own generation. A response adequate to your time.
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It's absolutely fatal to your writing to think about how your work will be received. It's a betrayal of whatever talent you have.